{"title":"Black Friday 2022","description":"\u003ch1 style=\"text-align: center;\"\u003e\u003cspan style=\"text-decoration: underline; color: #992a2a;\"\u003e\u003cstrong\u003eBlack Friday - Discounts Visible At Checkout\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan style=\"text-decoration: underline; color: #992a2a;\"\u003e\u003cstrong\u003e15% Off: Catalinbread, Death By Audio, Earthquaker Devices, J. Rockett, Keeley, and Wampler\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"catalinbread-valcoder-valco-supro-inspired-overdrive-tremolo-effects-pedal","title":"Catalinbread Valcoder Valco\/Supro Inspired Overdrive \u0026 Tremolo Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #6fb1cf;\"\u003e\u003cstrong\u003eCatalinbread Valcoder Valco\/Supro Inspired Overdrive \u0026amp; Tremolo Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe Catalinbread Valcoder is a throwback to the Valco\/Supro Tube Tremolo's of yesteryear, with it's faithful reproduction of the 60's analog LFO circuit.\u003c\/p\u003e\n\u003cp\u003e\"The Valcoder features an all discrete inspired by 60’s Valco tube tremolo. With the depth and rate knobs set lower, the result is a smooth, bubbling modulation that is especially seductive when playing complex chords in the neck position. Crank the DEPTH and RATE knobs for haunting pulses to hard rhythmic chop that adds tension and attitude particularly to distorted passages.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Valcoder has a dynamic and responsive audio path (JFET based) that adds a bit of vintage tube amp style grit and slight compression to your sound. Increasing the INPUT knob pushes the front side of the circuit harder adding grit and a bit of compression. You can set the OUTPUT knob to adjust for unity or boosted signal.\u003c\/p\u003e\n\u003cp\u003eThe Valcoder can also function as a great edge-of-breakup booster. With the DEPTH knob all the way down, and the INPUT \u0026amp; OUTPUT knobs turned all the way up, you will get a warm, gritty 10dB boost. This can be used as an always-on element to fill out your sound or can be used when you need it to help leads punch through the mix.\u003c\/p\u003e\n\u003cp\u003eThe Valcoder can be run from 9 -18 volts. 9 volts will allow for more compression and grit with a softer pick attack. 18 volts will increase the output level and will be slightly cleaner and less compressed with a more immediate pick attack. The tremolo effect will be stronger and choppier at 18 volts.\"\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12731950137367,"sku":"VALCODER","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/a281708ba9d57865eabb0ef46d68feb6.jpg?v=1538176292"},{"product_id":"j-rockett-audio-45-caliber-overdrive","title":"J. Rockett Audio .45 Caliber Overdrive Pedal","description":"\u003ch4\u003e\u003cstrong\u003eJ. 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Rockett Audio Archer Ikon Overdrive\/Boost\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #b91d55;\"\u003e\u003cstrong\u003eFresh to you from California, USA, is the J. Rockett Audio Designs \"Archer Ikon\" Guitar Overdrive Pedal. Back when Bill Finnegan contracted out the manufacturing of his famous follow up to the fabled Klon Centaur, the KTR, J. Rockett was the team he trusted to bring his pedal to the people. J. Rockett worked alongside Finnegan himself for the production of the KTR's, and was therefore given the exact circuit and parts to work from. \u003cbr\u003e\u003cbr\u003eNow J. Rockett has officially launched a full line of their very own guitar effects pedal creations as well as the king of klones, The Archer Ikon. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 4.00″ x 2.30″\u003c\/li\u003e\n\u003cli\u003e9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.\u003c\/li\u003e\n\u003cli\u003e9 volt Battery\u003c\/li\u003e\n\u003cli\u003eBuffered Switching\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12731957575703,"sku":"JRAD-ARCHERIKON-1","price":229.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/8ca1ba2fe628ef8a9d9c1cec02792814.jpg?v=1538176561"},{"product_id":"catalinbread-echorec-multi-head-tape-style-echo","title":"Catalinbread ECHOREC Multi-Head Tape-Style Echo","description":"\u003ch4\u003e\u003cstrong\u003eCatalinbread ECHOREC Multi-Head Tape-Style Echo\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe Binson Echorec was so cool we had no choice but to bring it back. And we wanted to bring it back right. We wanted to take all the goodness of that huge Binson Echorec and squeeze it down into a standard sized stompbox without losing anything. In fact, in addition to not losing any of the qualities that made it such a compelling musical device, we wanted to EXTEND its capabilities because the original Binson hinted at possibilities that it couldn’t realize. We’re talking about variable delay time! We thought, “What if we had the same four playback head concept but could stretch the delay time out beyond the 300mS of the original Binson?” Then the rhythmic patterns suggested by the various combinations of those four playback heads could really come to life!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Catalinbread Echorec has 12 programs which allow for all combinations of the 4 delay heads (something the original was never capable of.) The original also has a fixed speed, and thus a fixed delay time, while the Catalinbread Echorec can go from 40ms-1000ms. The repeats give you the ability for a single repeat or can go into spaceship feedback. The tone control is very useful, able to be tonally flat or dark and resonant on one side or bright and bubbly on the other. The mix allows for 100% wet or dry signal. Inside the pedal you have the ability to run in true-bypass or trails mode, as well as a trimmer for gain and modulation.\u003c\/p\u003e\n\u003cp\u003eNot only is the Catalinbread Echorec extremely versatile in its controls, the audio path was designed to be big, lush, and even more dynamic in its feel than the original. 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The Volume knob and Gain knob are similar to other overdrive pedals, controlling signal level and amount of drive, respectively.\u003c\/p\u003e\n\u003cp\u003eHere's where it gets interesting. The Tone knob is voiced for usable frequencies, without the extremes seen in other pedals - it has a subtle, but noticeable effect on your tone. The Fat knob is the same - a subtle but noticeable thickening of your tone. The Hot switch brings out more mids, more gain, and more lows.\u003c\/p\u003e\n\u003cp\u003eUsing all of these tonal shaping options in conjunction with each other can give you endless varieties of that classic blues, classic rock, and hard rock overdrive. These options also make the Rockett Pedals Blue Note OD perfect to use for single coils, humbuckers, and any combination of amplifiers.The Rockett Pedals Blue Note OD takes that classic organic overdrive tone and adds some excellent tonal shaping options that will bring out the subtleties and dynamics of your playing and your guitar and amp. The Fat and Tone knobs are more understated than you'd expect - there are not the extremes in frequencies that other pedals have. But these subtle tonal shaping options really enrich the natural overdrive signal of this pedal - these are usable frequencies, rather than extreme highs and lows. The Hot switch is perfect for lead work, and really adds some depth to single note lines. The Rockett Pedals Blue Note OD, as with other Rockett Pedals pedals, is perfect for nearly all guitars and amps. With the tonal shaping options in this pedal, you can switch guitars and amps in confidence, knowing that you won't also have to switch out your pedals to get your sound. Excellent. Rockett Pedals Blue Note OD.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVolume: controls level of signal\u003c\/li\u003e\n\u003cli\u003eGain: controls amount of drive Hot: engage for more mids, gain, and lows\u003c\/li\u003e\n\u003cli\u003eTone: controls high and low frequencies Fat: controls thickening of tone\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12731970125847,"sku":"JRAD-BLUENOTE","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/j_rockett_audio_blue_note_overdrive.JPG?v=1557891535"},{"product_id":"catalinbread-naga-viper-treble-boost","title":"Catalinbread Naga Viper Treble Boost Effects Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #2dbf44;\"\u003e\u003cstrong\u003eCatalinbread Naga Viper Treble Boost Effects Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThe Catalinbread Naga Viper is our take on the classic Dallas Rangemaster Treble Booster with added features allowing users to dial it in with any amplifier.\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Naga Viper is a booster that lives in the grand old tradition of the Dallas Rangemaster “Treble-Booster”. The original Rangemaster has been used by many influential British guitarists including Tony Iommi, Brian May, Marc Bolan, and KK Downing and Glen Tipton of Judas Priest. These guitarists, while completely unique in their styles, share the Rangemaster as the secret of boosting their cranked British tube amps into a juicy, harmonic-laden rock tone that always cuts through the mix and is ultimately proto-metal. The Naga Viper is hommage to this famous circuit.\u003c\/p\u003e\n\u003cp\u003eBeyond it’s basic tuning, the Naga enhances the classic circuit with the addition of two extra controls – Range and Heat. The original Rangemaster had just one control – Boost which everybody dimed anyway but essentially controlled the output volume. Our RANGE knob is a continuous control which allows you to go from classic treble-boost to a full-range boost and anywhere in-between – as the original could only function as a set frequency “treble-booster”. The HEAT knob gives you control over the gain level saturation, unlike the original which was fixed at maximum gain.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12731970387991,"sku":"NAGA","price":179.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/6cc0b871bdf98709a336aa83d66d6671.jpg?v=1538177236"},{"product_id":"jhs-pedals-the-at-andy-timmons-signature-overdrive","title":"JHS Pedals The AT- Andy Timmons Signature Overdrive Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eJHS Pedals The AT- Andy Timmons Signature Overdrive Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eAfter purchasing his first JHS Angry Charlie in 2013, Andy Timmons quickly dubbed it his main dirty tone. It even beat out the drive channel of the boutique amplifiers he’s well known for using. But there were a couple of tweaks Timmons requested from the pedal. We gladly obliged, and the JHS Pedals AT (Andy Timmons Signature) Drive, a.k.a. “The @,” was born. The AT retains a lot of what Timmons loves so much about the Angry Charlie. But the ability to change the pedal’s feel and headroom via a 3-way toggle switch makes the AT even more versatile. If you covet the thick and awe-inducing Andy Timmons lead tone, his signature JHS overdrive pedal is definitely where it’s “AT.“ Sorry...we had to.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003ePrecisely tuned control\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRight out of the box, you’ll be able to effortlessly dial in the AT Drive to mate perfectly with your amplifier. Its Volume and Drive controls work in much the same way as a high-gain master-volume amplifier. And the EQ and Air control let you keep the presence or thicken your tone by pinpointing separate high-end frequencies.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVolume acts as the master output control\u003c\/li\u003e\n\u003cli\u003eDrive...you guessed it\u003c\/li\u003e\n\u003cli\u003eEQ is a lowpass filter that removes higher frequencies\u003c\/li\u003e\n\u003cli\u003eAir control functions much like the presence control on an amplifier’s power section\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eLike having three different amps on your board\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe main addition that sets the AT Drive apart from our Angry Charlie pedal is the addition of a 3-position headroom switch. We think it is very similar to the differences in 25-, 50-, and 100-watt tube amplifiers. Whether you like low-wattage smoothness or high-powered headroom and punch, it’s inside the AT Drive.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInstant access to three different “wattage” settings\u003c\/li\u003e\n\u003cli\u003eThe up-position 25-watt mode offers a smooth, thickly driven, and compressed tone.\u003c\/li\u003e\n\u003cli\u003eThe middle 100-watt mode is cleaner, loud, and sports an immediate attack\u003c\/li\u003e\n\u003cli\u003eThe down-position 50-watt mode gives you nice overdrive with a full-frequency response.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.6\"x4.8\"x1.6\"\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYou can safely run “The AT\" at 18 or 9 volts.\u003c\/em\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":12747570118679,"sku":"ANDY TIMMONS","price":219.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/jhs-pedals-AT_Red.png?v=1610665715"},{"product_id":"jhs-pedals-morning-glory-v4-transparent-overdrive","title":"JHS Pedals Morning Glory V4 Transparent Overdrive Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #c49a12;\"\u003e\u003cstrong\u003eJHS Pedals Morning Glory V4 Transparent Overdrive Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Morning Glory is undoubtedly JHS's most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. They worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly...you get the idea.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #c49a12;\"\u003e\u003cstrong\u003eTruly Transparent Tone\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone. So just plug into the Morning Glory overdrive for yourself. Then you’ll understand.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGain control sweeps from completely clean to rock ‘n’ roll\u003c\/li\u003e\n\u003cli\u003eTame high end on brighter rigs with the side-mounted bright-cut switch\u003c\/li\u003e\n\u003cli\u003eIncreased headroom and output for use as a full-frequency boost\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #c49a12;\"\u003e\u003cstrong\u003eOn-the-fly Versatility\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSwitch to a more powerful sound with enhanced low end and grit\u003c\/li\u003e\n\u003cli\u003ePlug in your JHS Red Remote for switching between the two voices with the tap of your toe\u003c\/li\u003e\n\u003cli\u003eHandy LED changes from blue to red, indicating the status of the boost circuit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eV1 = bigger white enclosure with black knobs; no bright-cut switch; no logo.\u003cbr\u003eV2 = changed to smaller current enclosure; gold powder coat color.\u003cbr\u003eV3 = bright-cut toggle added.\u003cbr\u003eV4 = 2x more headroom; Gain toggle added; Red Remote system added.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":12731972747287,"sku":"MORNING","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/b1506f7ad3be9748eeb07fd51003a26a.jpg?v=1538177321"},{"product_id":"jhs-pedals-angry-charlie-v3","title":"JHS Pedals Angry Charlie V3 Distortion Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eJHS Pedals Angry Charlie V3 Distortion Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eFurious-sounding amp in a box\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTurns any amp into a screaming Marshall stack\u003c\/li\u003e\n\u003cli\u003eGo from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003c\/li\u003e\n\u003cli\u003eDrive and Volume control interact the same as a master volume amp head\u003c\/li\u003e\n\u003cli\u003eBack off your guitar’s volume to control your gain levels without losing clarity\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eMarshall-style tone stack\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFine-tune your tone with controls for Bass, Middle, and Treble\u003c\/li\u003e\n\u003cli\u003eActive controls boost and cut their selected frequencies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.6\"x4.8\"x1.6\".\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003cbr\u003eV1 = larger enclosure and 3 controls, no presence control\u003cbr\u003eV2 = changed to current production size enclosure and look. presence control added.\u003cbr\u003eV3 = color changed to red, added 3 band tone stack, 5 controls total\u003c\/p\u003e.","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":12731972943895,"sku":"ACV3","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/821ac4c34968ad38667ce78f598ed47d.jpg?v=1538177328"},{"product_id":"catalinbread-fuzzrite-60s-style-fuzz-distortion-pedal","title":"Catalinbread Fuzzrite 60's Style Fuzz\/Distortion Pedal","description":"\u003ch4\u003e\u003cstrong\u003eCatalinbread Fuzzrite 60's Style Fuzz\/Distortion Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eCatalinbread's recreation of the classic late 60's Mosrite Fuzzrite pedal. Splatty, zippery, and thick are just some of the adjectives you could throw around when describing this groovy Fuzz pedal. \u003c\/p\u003e\n\u003cp\u003e\"From The Ventures’ “2,000 Pound Bee”, and Iron Butterfly’s “In-A-Gada-Da-Vida”, to the Black Keys, the Fuzzrite has a rich history of taking guitar tones to new levels. We’ve brought the classic silicon circuit back, and added a 9v power supply.\u003cbr\u003e\u003c\/p\u003e\n\n\u003cdiv class=\"product-tabs-content\"\u003e\n\u003cp\u003eThe Catalinbread Fuzzrite is a faithful reproduction of the classic circuit of the 60s. It’s splatty, raw, and unapologetic. The Depth control adds brightness and gain, while the Volume knob controls your overall output volume.\"\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12731974778903,"sku":"FUZZR","price":159.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/5cd74eb67f3f78823edbe4b7c2e187c6.jpg?v=1538177376"},{"product_id":"catalinbread-sabbra-cadabra-laney-preamp-w-dallas-arbiter-treble-booster","title":"Catalinbread Sabbra Cadabra (Laney Preamp w\/ Dallas Arbiter Treble Booster)","description":"\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eCatalinbread Sabbra Cadabra (Laney Preamp w\/ Dallas Arbiter Treble Booster)\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #d2540d;\"\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\n\u003cspan style=\"color: #000000;\"\u003eTony Iommi + Treble Booster + Laney Supergroup \\m\/\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cem\u003e\u003cspan class=\"testimony\"\u003e\"Transform any guitar rig into a rig of doom with the Sabbra Cadabra.\"\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\n\u003c\/h4\u003e\n\u003cp\u003eTony Iommi arguably had the most influential tone in the history of electric guitar. Really, when you think Black Sabbath you immediately think “Electric Guitar”. His early signature sound was the result of an always on treble-booster plugged into cranked Laney Supergroup amps. This approach to guitar is extremely rewarding and fun, but lost in this day and age because honestly who can really get away with the stage volume anymore? Far and few between! We designed the Sabbra Cadabra to give players that sonic experience, re-contextualized for today’s approach where players tend to use amps solely within their clean range at more mortal volume levels.\u003c\/p\u003e\n\u003cp\u003eThe Sabbra Cadabra is a custom-tuned Rangemaster-based booster combined with the preamp section of a Laney Supergroup. The two circuits are carefully voiced together to achieve the riffs of doom tone that Tony Iommi is so well known for. Four controls (RANGE, GAIN, PRESENCE, and VOL 4) allow you to fine-tune the response to your guitar and rig. If you;re familiar with Sabbath;s live album, \"Past Lives\", then you'll understand where we were going with this pedal  - huge, raw, responsive! The Sabbra Cadabra's circuit is optimized for drop-tuning but works equally well for standard tuning thanks to the RANGE control, which allows you to \"customize\" the treble-booster section of the circuit and adjust it anywhere from treble-boost to full-range boost.\u003c\/p\u003e\n\u003cp\u003eAccording to Mr. Iommi, someone modded his Dallas Rangemaster. \"I don't know what he did to it, but it was really good. I used that treble booster on all the early Sabbath albums and put it into the Laney because it boosted the input and gave it the overdrive I was looking for, which amps in the early days didn't have.\" Then in 1979 another tech threw it into the garbage, thinking it was crap. Can you believe that?! So no one really knows what was done to it. But based on our experience, it was most likely changing it to be more of a full-range boost and possibly re-biasing it. That's what we mean when we say you can \"customize\" the treble-boost section with the RANGE knob - you can continuously adjust it to any input frequency response and feel that you want. \u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12731979956247,"sku":"SABBRA","price":179.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/e2b28e91ea0778f7f445437918119bee.jpg?v=1538177467"},{"product_id":"catalinbread-katzenkonig","title":"Catalinbread Katzenkonig Fuzz\/Distortion Effects Pedal","description":"\u003ch4\u003e\u003cstrong\u003eCatalinbread Katzenkonig Fuzz\/Distortion Effects Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKatzenkönig was tuned to offer a huge range of response - from a really beautiful singing tone, to tight, harmonically-rich crunch, all the way to fuzz mayhem.\u003c\/p\u003e\n\u003cp\u003eA simple, four-knob control scheme allows you to dial in your sound quickly and without much fuss:\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #c3c740;\"\u003e\u003cstrong\u003eINPUT\u003c\/strong\u003e\u003c\/span\u003e - Controls the input sensitivity. Turn it down when using higher output pickups and humbuckers or to dial in your wah sound (more on that later). Turn it up for lower output pickups or for when you want to go over-the-top!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #c2c645;\"\u003e\u003cstrong\u003e GAIN\u003c\/strong\u003e \u003c\/span\u003e- Controls the gain of the second gain stage. It is not a conventional gain control, rather, it controls the amount of negative feedback in that stage. What does that mean for you? It means you get a wide ranging gain control that sounds great throughout it's entire rotation!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #c0c441;\"\u003e\u003cstrong\u003e FILTER\u003c\/strong\u003e\u003c\/span\u003e - Allows you to dial in your final tone from smooth and creamy all the way to bright and cutting. You can quickly find the sweet spot for your rig with this control. If you are familiar with the Filter control on a Rat then what you'll find is that this is an even better version of that idea!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #bec23e;\"\u003e\u003cstrong\u003e VOLUME\u003c\/strong\u003e\u003c\/span\u003e - Standard volume control. You'll find that Katzenkönig sounds great turned down quiet or cranked up and loud!\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12731980349463,"sku":"KATZ","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/786210455c0243c2e58db4f468e18d05.jpg?v=1538177475"},{"product_id":"earthquaker-devices-sea-machine-chorus","title":"EarthQuaker Devices Sea Machine Chorus Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #519da1;\"\u003e\u003cstrong\u003eEarthQuaker Devices - \u003c\/strong\u003e\u003cstrong\u003eSea Machine Chorus Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That’s a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that’ll help you reel in the big one.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sea Machine ain’t no one-trick seahorse. A variable waveshape LFO (adjustable via the Shape control) modulates your chorus tone from a smooth triangle shape, to a rough and choppy square wave, and an extended delay line allows you to dive deeper into uncharted modulated waters than ever before. Other LFO controls include Rate, which sets the speed of the LFO, and Depth, which sets how strongly the LFO modulates the delay time.\u003c\/p\u003e\n\u003cp\u003eThe delay line has controls for Dimension, Animate, and Depth. The Dimension control adds a slightly detuned slapback at low levels, reverb-like ambience at mid-levels, and a trippy echo-resonance that leads to self-oscillation when cranked. The Animate control is the real pearl in the Sea Machine’s oyster, if you will. This controls how far the pitch swings. At lower settings, you’ll hear slight detuning for a subtle double-tracked thickening effect, á la traditional chorus pedals. As you increase the Animate control, the pitch swings further and further away from the root note for an effect that lies somewhere between chorus and vibrato, before landing at full tilt on sonar-like oscillations that sound more like a giant monster-movie beast awaking from its undersea slumber than any effects pedal we’ve ever heard. Finally, the Intensity control rounds out the delay line, adjusting the blend between the modulated and dry signals.\u003c\/p\u003e\n\u003cp\u003eWith this mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you’re a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven.\u003c\/p\u003e\n\u003cp\u003eWe’ve designed the Sea Machine to work well following fuzz \/ overdrive \/ distortion pedals without getting muddy, lowering in output, or breaking up, because we like running distortion pedals into things. Also, when engaged, the Sea Machine’s transparent buffer leaves the all-analog dry signal unaltered and crystal clear.\u003c\/p\u003e\n\u003cp\u003eThe Sea Machine is true-bypass, uses silent relay-based switching, and is built one at a time in the belly of the great white whale along the shores of the Ohio \u0026amp; Erie Canal in Akron, Ohio, USA.\u003c\/p\u003e\n\u003ch5\u003e\u003cspan style=\"color: #53a398;\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRate: \u003c\/strong\u003eSets the speed of the LFO. The miniature LED will show the tempo even in bypass mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShape:\u003c\/strong\u003e From soft triangle through hard square wave.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimension:\u003c\/strong\u003e Adds a slight slap-back at low levels, reverb-like ambiance at mid levels and an echo-resonance at max.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003eHow much the LFO modulates the delay time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnimate: \u003c\/strong\u003eHow far the pitch shifted signal swings, lower levels equals a tighter and more focused shift à la traditional chorus. As you increase the control a more wild and animated pitch shift begins to emerge.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIntensity: \u003c\/strong\u003eHow much modulated signal is blended in with the dry signal.\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12731984216087,"sku":"EQDSEAMV3USA","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7536.jpg?v=1605048760"},{"product_id":"j-rockett-audio-designs-iq-compressor-pedal","title":"J. Rockett Audio IQ Compressor Pedal","description":"\u003ch4\u003e\u003cstrong\u003eJ. Rockett Audio Designs IQ Compressor Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eAs the second part of their Q-Series line of pedals, J. Rockett has released the IQ Compressor Pedal with a Pre-Compression 6-Band EQ with +\/- 18 db of Boost or Cut for each frequency. With the EQ section coming before the main compression stage you can fine tune the exact amount of compression you want for each band in the frequency range, meaning that you can choose to either accentuate or de-emphasize frequencies to your exacting preferences.\u003c\/p\u003e\n\u003cp\u003eThe I.Q. Compressor is an EQ\/Compressor with a pre-compression EQ. The EQ let’s you choose which frequencies you want compressed harder based on their respective gain setting. Each frequency slider has 18db of gain or cut. The compressor has a volume and mix control. The volume adjusts the output level and the mix control blends the compressed and dry signal. (There will be a slight bump in volume as the mix control blends dry with wet). It can be adjusted with the volume control.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eVolume – Controls Overall Output\u003cbr\u003eMix – Blends Compressed Signal with Dry Signal\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #e2590c;\"\u003e6-Band EQ\u003c\/span\u003e:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBand 1 – 100Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBand 2 – 200Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBand 3 – 400Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBand 4 – 800Hz\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBand 5 – 1.5K\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBand 6 – 3.2K\u003c\/span\u003e\u003c\/p\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12732012560407,"sku":"JRAD-IQC","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/80dc09f9e9be3a6d5c74008939c9e477.jpg?v=1538178233"},{"product_id":"j-rockett-audio-the-dude-overdrive","title":"J. Rockett Audio The Dude V2 Overdrive Pedal","description":"\u003ch4\u003e\u003cstrong\u003eJ. Rockett Audio The Dude V2 Overdrive Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThe DUDE is designed to achieve the classic D style ODS sounds and feel. From Robben Ford to Larry Carlton to scorching gain, it is all there. The Dude v2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.\u003c\/p\u003e\n\u003cp\u003eNot too many people have access to a real Dumble amp, and those who do, don't often lend this pricy amp to dissectors for the purpose or studying up on the guts. However, J. Rockett does have this access, and a penchant for reverse engineering. With that, we bring you The Dude, by J. Rockett Audio Designs. The Dude abides your current amp's tone with the sound of a real Dumble preamp, and its controls are a little different, though highly intuitive. Let's check them out: Ratio is a mix knob, that controls a boost on one side and pure gain on the other. When the knob is set to noon, there is a 50\/50 mix of boost and amp-like gain. The Level control actually controls a clean boost that is independent of the Ratio knob. When turning the Ratio knob back and the Level up, two boosts are run independently for some massive amp pushing. Treble and Deep work together to help customize the tone. Treble is self-explanatory, while Deep controls the mid contour. Turn it down to scoop mids and boost treble and bass, and turn it up to bring in some lower-mids. If it's output you want, the Dude delivers. After some time spent with it, you'll agree that this pedal really ties your board together.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJRAD The Dude V2 Released Spring 2019  - The Dude v2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDimensions: 4.00″ x 2.30″\u003c\/p\u003e\n\u003cp\u003e9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.\u003cbr\u003e\u003c\/p\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12732017115159,"sku":"JRAD-DUDE-V2","price":229.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/files\/DudeV2.jpg?v=1709580292"},{"product_id":"earthquaker-devices-hoof-fuzz-guitar-effect-pedal","title":"EarthQuaker Devices Hoof Hybrid Fuzz Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #6e4205;\"\u003e\u003cstrong\u003eEarthQuaker Devices Hoof Hybrid Fuzz Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eLike the six mighty hooves of Thor's chariot pulling rams, The Hoof rains down a colossal amount of Fuzzy goodness from high above. Fatter, Fuzzier, and altogether Bigger than the Big Muff Pi is \"The Hoof\" from EarthQuaker Devices, the thickest sounding fuzz pedal you're likely to ever hear. Brought to you by the tinkering masterminds of EarthQuaker Devices in Akron, Ohio, these boutique pedals are handmade and fully analog. The Hoof features 4 Tone-Shaping Controls: Tone, Shift, Level, and Fuzz. The Tone and Shift potentiometers allow you to dial in the EQ curve of your liking, shaping the overall amount of treble, bass, and mids present in the tone. While the Level control regulates the volume of the pedal, and the Fuzz control determines the amount of hairy fuzz you want. If you're after one of the best sounding, handmade, fully analog, Fuzz pedals to run through your favorite guitar or bass rig, look no farther than The Hoof from EarthQuaker Devices!\u003cbr\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eDescription\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003eThe Hoof is loosely based on the classic green Russian fuzz circuit and features a hybrid Germanium\/Silicon design, pairing maximum tone with maximum temperature stability not found in finicky and expensive vintage units. The tinkering masterminds at EarthQuaker Devices hand-matched their NOS Germanium transistors to exacting specifications for pedal-to-pedal consistency, taking the guesswork out of your fuzz purchase, and guaranteeing that your Hoof delivers  smooth, natural, and harmonically-rich sustain.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eShift: \u003c\/b\u003eThis adjusts the mid content, clockwise for scooped mids, counterclockwise for boosted.\u003cb\u003e \u003cbr\u003e\u003cbr\u003eTone: \u003c\/b\u003eBass to the left, Treble to the right.\u003cb\u003e\u003cbr\u003e\u003cbr\u003eLevel: \u003c\/b\u003eUse this control to make the Hoof louder or quieter.\u003cb\u003e\u003cbr\u003e\u003cbr\u003eFuzz: \u003c\/b\u003eClockwise for heavy, counterclockwise for light.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003cb\u003e\u003cbr\u003eCurrent Draw: \u003c\/b\u003e15 mA\u003cb\u003e\u003cbr\u003eInput Impedance: \u003c\/b\u003e130 kΩ\u003cb\u003e\u003cbr\u003eOutput Impedance: \u003c\/b\u003e\u0026lt;10 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSwitching\u003cbr\u003e\u003c\/b\u003eThis device is true bypass and uses electronic relay-based switching. Audio will not pass without power.\u003cb\u003e\u003cbr\u003e\u003cbr\u003ePower \u003cbr\u003e\u003c\/b\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDO NOT RUN AT HIGHER VOLTAGES!\u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h5\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732018556951,"sku":"EQD-HOOF","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7525.jpg?v=1605047919"},{"product_id":"earthquaker-devices-ghost-echo-v-3","title":"EarthQuaker Devices Ghost Echo V.3 Reverb Pedal","description":"\u003ch4\u003e\u003cstrong\u003eEarthQuaker Devices Ghost Echo V.3 Reverb Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eVintage spring reverb emulation capable of providing a little atmosphere all the way through to vast depths in one tiny box. The attack control sets the delay of the initial pick attack on the wet signal only. When playing staccato this registers as a slap back type echo hitting the reverb but when playing fluid lines it adds a massive depth and 'fattens' up the sound. The dwell control is a fine tune function that enhances the decay and the depth controls the intensity of the reverb. All analog dry path, true bypass and handmade one at a time in mystical Akron, Ohio.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eDescription\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eGhost Echo Vintage Voiced Reverb\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eYou hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog\/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you!\u003c\/p\u003e\n\u003cp\u003ePhew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet\/dry mix, but we like to think of it more as how scary the overall effect is.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e*Not actually haunted. Or are they?\u003c\/em\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAdjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDwell:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAdjusts the length of the decay. This will start to self-oscillate around 3 O’Clock, the pitch of the oscillations can be changed by turning the Attack control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMixes in the wet signal with the dry, unity is around noon and everything after is boosted.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eDimensions: \u003c\/b\u003e4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003cb\u003e\u003cbr\u003eCurrent Draw: \u003c\/b\u003e86 mA\u003cb\u003e\u003cbr\u003eInput Impedance: \u003c\/b\u003e10 MΩ\u003cb\u003e\u003cbr\u003eOutput Impedance: \u003c\/b\u003e1 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSwitching\u003cbr\u003e\u003c\/b\u003eThis device is true bypass and uses electronic relay-based switching. Audio will not pass without power.\u003cb\u003e\u003cbr\u003e\u003cbr\u003ePower \u003cbr\u003e\u003c\/b\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732020686871,"sku":"EQDGHOSV3USA","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7526.jpg?v=1605047867"},{"product_id":"catalinbread-topanga-spring-reverb-effects-pedal","title":"Catalinbread Topanga Spring Reverb Effects Pedal","description":"\u003ch3\u003e\u003cspan style=\"color: #6e8950;\"\u003e\u003cstrong\u003eCatalinbread Topanga Spring Reverb Effects Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCatalinbread's take on a piece of surf rock history, the drippy classic Fender 6G15 Spring Reverb Unit!\u003c\/p\u003e\n\u003cp\u003eSurf’s up! And we’re all headed to Topanga, California! Catalinbread's spring reverb pedal based on the legendary Fender 6G15 outboard spring reverb unit! They captured all the drip, flutter, cluck, clang, and splash of the original tubes and springs unit in a small pedal format! The outboard spring reverb unit is the sound of surf guitar as well as many other great guitar sounds from the sixties. Part of its magic, and how it differs from the internal spring reverb found in most Fender-style amps, is that it is run *in front* of the amp, causing the reverb signal to distort and get more intense than the internal circuit could. It also had a Dwell knob, which controlled how hard the springs were getting hit by the guitar signal, as well as a Tone knob that gave more control over the reverb sound. It was also essentially a tube preamp, so it would color the sound going into the amp. All this added up to a very distinctive reverb sound that is hard to replicate. But we here at Catalinbread had to try! And we think we got it! Besides giving you the classic three knob control compliment of the original, we’ve also added a great discrete preamp that you can control via the Volume knob for a healthy amount of great clean boost when you want it.\u003cbr\u003e\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732021637143,"sku":"TOPANG","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/4464c2ebe232838496834f2af004c5af.jpg?v=1538178515"},{"product_id":"jhs-pedals-little-black-amp-box","title":"JHS Pedals Little Black Amp Box","description":"\u003ch4\u003e\u003cstrong\u003eJHS Pedals Little Black Amp Box\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eTaming a screaming-loud tube amp doesn’t always require bulky and expensive load boxes and attenuators. If your amp has a series effects loop, the JHS Pedals Little Black Amp Box takes care of the job while being able to fit into the palm of your hand. Simply run it through your amp’s effects loop and control the amount of signal you send to your amplifier’s power section. You’ll love the way the Little Black Amp Box lets you really push the front end of your amp for the natural feel and tone that you can’t get any other way. And your bandmates, sound engineer, parents, neighbors, significant other, and pets will love the way it can keep your volume down to bedroom levels.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCranked amp tone at whisper volume\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf your amp has a series effects loop, you should stop reading this and go buy a JHS Pedals Little Black Amp Box. All the roaring amp tones you need come with none of the ear-bleeding levels.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRun it in your effects loop to turn down a turned-up amp\u003c\/li\u003e\n\u003cli\u003eRetain the response and tone of your amp’s sweet spot at lower levels\u003c\/li\u003e\n\u003cli\u003eHigh-grade components keep your tone clear and pure\u003c\/li\u003e\n\u003cli\u003ePassive design doesn’t require any power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConvenient low-profile design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA device such as the Little Black Amp Box is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSmall size is ideal for saving pedalboard space or even setting on top of your amp\u003c\/li\u003e\n\u003cli\u003eCan easily be mounted underneath your board\u003c\/li\u003e\n\u003cli\u003eBuilt rugged\u003c\/li\u003e\n\u003cli\u003eBlack powder coating keeps the buffer hidden in the background\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cspan style=\"text-decoration: underline;\"\u003e**WARNING**\u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAttempting to place the Little Black Amp Box between the power section of your amplifier and your speakers will result in damage to your gear. Place it in a series effects loop only.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis pedal does not require power and it measures 3.6\"x1.5\"x1\"\u003c\/p\u003e.","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":12732026585111,"sku":"BLACKBOX","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/feb0ff77ff2d7d717f65302351cd9272.jpg?v=1538178574"},{"product_id":"catalinbread-karma-sutra-fuzz-effects-pedal","title":"Catalinbread Karma Suture Fuzz Effects Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #fc0efc;\"\u003e\u003cstrong\u003eCatalinbread Karma Suture Fuzz Effects Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eUnique Germanium\/Silicon hybrid design, The Karma Suture Fuzztortion pedal! Sparkling overdrive to fuzzed out distortion, and everything in between.\u003c\/p\u003e\n\u003cp\u003eWhat happens if you take a NOS PNP germanium transistor and an NPN silicon transistor, plus a germanium and silicon diode, and throw them into the alchemist’s pot and stir it up with plenty of Catalinbread sauce? You get a bubbling cauldron of even-order harmonics that will enhance any guitar rig! So, you’re thinking, is it a fuzz? Yes! Is it an overdrive? Yes! Is it a sparkly boost? Yes, again! Karma Suture’s four control layout allows you to dial in a huge range of harmonically rich tones that sound great into clean amps and into overdriven amps. Or into a foundation overdrive, such as the Dirty Little Secret. It can work equally well with vintage single coils and hot humbuckers.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBecause Karma Suture generates predominantly even-order harmonic distortion, you will notice amazing clarity even with extreme settings. You can even play complex chord voicings and yet every note rings through clear! Try that with your average fuzz or distortion pedal! And even at maximum settings, the Karma Suture retains an open and responsive character unlike a lot of fuzzes and distortion pedals. Even though it has an open character, you can get amazing sustain with the Karma Suture on, especially if you’re hitting a cranked up amp with it. Harmonics come in waves, undulating in and out as you hold that epic power chord.\u003c\/p\u003e\n\u003cp\u003eBased on the rare Harmonic Percolator circuit, it is not just a clone. We’ve expanded the potential by adding the exclusive Density and Diodes controls coupled with months of fine-tuning to get everything just right. You’ll find great sounds throughout the rotation of all the controls. No matter how you have the pedal set, the tone and response is always alive, sensitive to your every playing nuance.\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732027371543,"sku":"KARMA","price":179.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/c56fa24349c2eece68412fbdbd4b0d18.jpg?v=1538178588"},{"product_id":"catalinbread-bicycle-delay-guitar-effects-pedal","title":"Catalinbread Bicycle Delay Guitar Effects Pedal","description":"\u003ch4\u003e\u003cstrong\u003eCatalinbread Bicycle Delay Guitar Effects Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eCatalinbread's unique delay that puts some extra emphasis on the end-user, you really get out what you put in. This is a delay pedal capable of going all kinds of places, the plotted-course is up to you.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #de1515;\"\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\" It'll take you to darker musical places fitting for the vampires at night. It all depends on your mood. Bring it up, it wants to take off. Happiness in a madhouse. The most difficult and interesting stuff begins to happen when you keep it balanced. Edges of notes brighten radiantly to prominence, like the flora and fauna do when I walk Clemma in the early morning sun.\u003c\/p\u003e\n\u003cp\u003ePlug your instrument into the Bicycle Delay and directly into your amplifier. Set all knobs to noon, clear yourself mentally and, for a time, destroy all notions of control. Listen to what the Bicycle Delay has to say. Approach each knob with an open mind. Take note of how they interact with each other and you. One knob at a time, be mindful of where the Bicycle Delay is taking you.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff00ff;\"\u003e\u003cstrong\u003eLUCIDITY\u003c\/strong\u003e\u003c\/span\u003e: Yin and Yang. There is a balance. The weight of each side is symbiotic and ever changing.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff00e4;\"\u003e\u003cstrong\u003eREFLECT\u003c\/strong\u003e:\u003c\/span\u003e Amplifies the reflections of sounds being generated.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff00c2;\"\u003e\u003cstrong\u003eMOOD\u003c\/strong\u003e:\u003c\/span\u003e Tailspin or ascending a thermal? Sometimes it’s hard to tell. Even at the center there is chaos in the tranquility. Embrace it.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff00ce;\"\u003e\u003cstrong\u003eEXPANSE\u003c\/strong\u003e:\u003c\/span\u003e Where is the focus? Inward, close at hand? Or gazing outward at a far away horizon in the mind’s eye? Somewhere in between? Your journey can be as short or as long as you care to make it. Take your time.\"\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732061188119,"sku":"BICYCLE","price":209.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/a693f20464a7ef880698a0cf65137ce0.png?v=1538179232"},{"product_id":"catalinbread-5f6-tube-tweed-bassman-preamp-overdrive","title":"Catalinbread 5F6 Tube Tweed Bassman Preamp\/Overdrive (NOS)","description":"\u003ch4\u003e\u003cspan style=\"color: #4a86a9;\"\u003e\u003cstrong\u003eCatalinbread 5F6 Tube Tweed Bassman Preamp\/Overdrive\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan\u003eCatalinbread's take on the all time classic Fender Tweed Bassman and the glorious overdrive that those amps achieved when they were completely cranked.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"The Formula 5F6 adds vintage tweed Bassman response to our range of Foundation Overdrives, giving you the awesome characteristics of this classic amp into any clean amp. The Tweed Bassman may be the most influential *guitar* amp of all time. Although it was marketed as a bass amp, its treble, middle, bass and presence controls and 4 x 10 configuration were perfect for guitar, as guitarists soon figured out.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHow influential was the Bassman? Look up the schematic and compare its preamp to that of a Marshall or Vox and you'll see! When a tweed Bassman is set at low to medium volumes, you get a sparkling, harmonically rich tone. Turned up a bit more and it delivers that famous on-edge-of-breakup character that is responsive to your picking attack, a sound so craved by guitarists. Play a ringing open chord and you'll be rewarded with lush harmonic swirl. And then crank the volume up to 12 and you'll get a thick, creamy, meaty crunch - the original genesis for all heavy guitar sounds to come. And if you hit it really hard, you're rewarded with a slight compression, a slight sag in the response, that feels so good to play. The tweed Bassman is so touch-sensitive and responds beautifully across the frequency spectrum. If you play a Strat, this is a match made in heaven. Gibson style guitars sound great too and will overdrive the preamp sooner and you'll start to recognize those tones you heard on famous records. And with the Formula 5F6 you'll get that entire range of response! It does that quick compression on the initial attack that 'exhales' quickly into a wide clean with lots of glassy chime on top and a tight full low end. But wait, there's more!\u003c\/p\u003e\n\u003cp\u003eAfter we got the Formula 5F6 circuit dialed in to reproduce the beautiful vintage tweed Bassman response, we asked: \"Hey what if we supercharged and gained this thing up but pretended we had never heard of a Marshall?\" Some tweaking to the gain structure and tone circuit and boom! we got a great new voicing - much higher gain, a bright attack, and as full as you want it. It was so cool we decided to build it into the pedal, accessible through an internal switch.\u003c\/p\u003e\n\u003cp\u003eThe Formula 5F6 lends itself to almost any musical style, from the classic Strat - Bassman blues tones of Buddy Guy and Otis Rush to artists like Jimmie and Stevie Ray Vaughan, Robbie Robertson, Robben Ford, all the way to heavier styles by stacking boost, overdrive, or fuzz pedals into it. Don't worry, the Formula 5F6 won't just make you play old music! It will take you where your imagination takes you!\"\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732061319191,"sku":"5F6","price":139.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/1dae95d92d95c364f813834ddd5724db.jpg?v=1538179242"},{"product_id":"earthquaker-devices-night-wire-harmonic-tremolo","title":"EarthQuaker Devices Night Wire Harmonic Tremolo","description":"\u003ch4\u003e\u003cspan style=\"color: #5d1c5b;\"\u003e\u003cstrong\u003eEarthQuaker Devices - Night Wire Harmonic Tremolo\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe Night Wire is a feature-rich harmonic tremolo. What is harmonic tremolo? In short, the signal is split into high pass and low pass filters, then modulated with an LFO that is split 180 degrees.\u003c\/p\u003e\n\u003cp\u003eThe Night Wire takes the traditional harmonic tremolo a few steps further by allowing the center point of both filters to be adjusted for different tones. The filter frequency has three modes: Manual, LFO and Attack. In Manual mode, the center point can be set to a fixed position with the frequency control. In LFO mode, the filters are continuously swept and the frequency control adjusts the speed. In Attack mode, the filters are dynamically swept according to pick attack and the frequency control acts as a range control, much like a standard envelope filter. The tremolo section has two modes, Manual and Attack. In Manual mode, the speed of the tremolo is governed by where the rate control is set. In Attack mode the speed is controlled by pick attack and the rate controls the sensitivity; the harder you pick, the faster the rate and vice-versa. The tremolo can be subtle and shimmery or full-on throbbing depending on where the depth control is set. With the depth set to zero, the Night Wire will act like a fixed filter, phase shifter or envelope-controlled filter depending on which mode the filter frequency is in. It also features a cut\/boost volume control to get your levels just right. Each Night Wire is handmade one at a time in the moonlit village of Akron, Ohio.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis device is true bypass and uses relay based “soft touch” switching. Audio will not pass without power.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cspan style=\"color: #611f5f;\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eRate Toggle:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis toggle lets you select between two ways to control the speed of the tremolo. Attack lets you adjust the speed by pick attack. In this mode, the Rate knob controls the sensitivity of the dynamic tremolo. The higher the rate and harder you pick, the faster the speed will rise and vice versa. In Manual mode, the Rate control adjusts the speed like a common tremolo.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Toggle:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThis toggle lets you select one of 3 different ways to control the center frequency of the filter section. In LFO mode, the frequency is continuously swept by an LFO. In this mode, the Frequency knobs adjusts the speed of the LFO. In Manual mode, the frequency is determined by where the Frequency knob is set. In Attack mode, the center frequency is dynamically controlled by pick attack and the Frequency knob adjusts the sensitivity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSets the output level, unity is around noon.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAdjusts the depth of the tremolo. More clockwise, less counterclockwise. When fully counterclockwise, the amplitude modulation will be removed and the Night Wire will function as a fixed filter, envelope controlled filter or phaser depending on where the frequency toggle is set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRate:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eIn manual mode, this controls the speed of the tremolo. Faster speed clockwise and slower speed counterclockwise. In Attack mode, this controls the sensitivity of the dynamic tremolo. The higher the rate and harder you pick, the faster the speed will rise and vice versa.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eControls the center frequency of the filters in manual mode: higher clockwise, lower counterclockwise. In LFO mode this controls the rate of the sweep: faster clockwise\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cspan style=\"color: #591e57;\"\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003cb\u003e\u003cbr\u003eCurrent Draw:\u003c\/b\u003e 65 mA\u003cb\u003e\u003cbr\u003eInput Impedance: \u003c\/b\u003e1 MΩ\u003cb\u003e\u003cbr\u003eOutput Impedance: \u003c\/b\u003e\u0026lt;1 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eFlexi-Switch® Technology\u003cbr\u003e\u003c\/b\u003eThis device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003cbr\u003e\u003cbr\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003eSince the switching is relay based, it requires power to pass signal.\u003cb\u003e\u003cbr\u003e\u003cbr\u003ePower \u003cbr\u003e\u003c\/b\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.\u003cb\u003e \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDO NOT RUN AT HIGHER VOLTAGES! \u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\n\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732063285271,"sku":"EQD-NIGHTWIRE","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_8108.jpg?v=1606335172"},{"product_id":"earthquaker-devices-acapulco-gold-sunn-poweramp-distortion-guitar-effects-pedal","title":"EarthQuaker Devices Acapulco Gold Poweramp-Distortion\/Fuzz Pedal","description":"\u003ch4\u003e\u003cstrong\u003eEarthQuaker Devices Acapulco Gold Poweramp-Distortion\/Fuzz Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!\u003c\/p\u003e\n\u003cp\u003eSince tone is in the hands, EQD decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That’s it. The rest is at your fingertips. Want less gain? Turn down your guitar’s volume knob. Need a darker rhythm tone? Roll back your guitar’s tone control. Easy, right?\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBig Knob: \u003c\/strong\u003eThe big knob sets the output level, sometimes known as Volume.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003ePLEASE BE CAREFUL\u003c\/strong\u003e, the Acapulco Gold is extremely loud!\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eWith your guitar’s volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eHow about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003eDimensions:\u003c\/b\u003e 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003cb\u003e\u003cbr\u003eCurrent Draw: \u003c\/b\u003e18 mA\u003cb\u003e\u003cbr\u003eInput Impedance: \u003c\/b\u003e50 kΩ\u003cb\u003e\u003cbr\u003eOutput Impedance: \u003c\/b\u003e\u0026lt;10 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSwitching\u003cbr\u003e\u003c\/b\u003eThis device is true bypass and uses electronic relay-based switching. Audio will not pass without power.\u003cb\u003e\u003cbr\u003e\u003cbr\u003ePower \u003cbr\u003e\u003c\/b\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise\u003cb\u003e. DO NOT RUN AT HIGHER VOLTAGES!\u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/h5\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732063612951,"sku":"EQD-ACAPULCO","price":139.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7504_2.jpg?v=1605047416"},{"product_id":"jhs-pedals-moonshine-overdrive-v2","title":"JHS Pedals Moonshine Overdrive V2 Effects Pedal","description":"\u003ch4\u003e\u003cstrong\u003eJHS Pedals Moonshine Overdrive V2 Effects Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eAre you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine V2 is for you. Our Moonshine V2 overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore\/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Moonshine V2 is still the core tone of the version one and retains the simple Volume, Tone, and Drive knobs. However on the Moonshine V2 we added a new Clean knob to blend in any amount of clean signal to your tone! The simple 2-position “Proof ” toggle gives you everything from low gain amp-like breakup with powerful colored boost settings to grinding, heavy overdrive that reaches to the very edge of cranked amp distortion.\u003c\/p\u003e\n\u003cp\u003eIn the down position, you’ll find the highest gain settings, lots of saturation and sustain and the most mid-range goo available. In the up position are the more open and forceful crunchy tones that will make any amp beg for mercy. The up position also adds more overall volume and more headroom to those searching for cleaner applications.\u003c\/p\u003e\n\u003cp\u003eThe tone control goes down as smooth as Grandpa’s White Lightning, with none of the harsh ice-pick characteristics that many overdrives often have in the brighter settings.\u003c\/p\u003e\n\u003cp\u003eJust like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end, and more overall punch.\u003c\/p\u003e\n\u003cp\u003eWe wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster\/ Fender amp tones with class to huge“wall of rock” The Edge-style force through a Vox.\u003c\/p\u003e\n\u003cp\u003eOn another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":12732065218583,"sku":"MOON","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/e55ace572a307d9f1af8b67bd9099d2f.jpg?v=1538179375"},{"product_id":"j-rockett-audio-blue-note-overdive","title":"J. Rockett Audio Blue Note Tour Series Overdrive Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #0a35b9;\"\u003e\u003cstrong\u003eJ. Rockett Audio Blue Note Overdrive Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe new Blue Note Tour Series is exactly what you think…a small, compact version of the current production Blue Note. The Blue Note Tour Series is identical in sound to the original Blue Note, but does not offer the “Hot Switch” option.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Blue Note gives you a very woodsy, blues overdrive feel and can achieve more gain than a typical tube screamer (no this isn’t another TS clone just using this as a reference).  This pedal is all about feel and really works well with any guitar\/amp combination. This is one of our favorites.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blue Note Tour Series is designed for the touring musician with a rugged, steel enclosure and the new “Speed Switch” system. You can live in the jazz\/blues world all day long with the Blue Note Tour Series always engaged.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 4.00″ x 2.30″\u003c\/li\u003e\n\u003cli\u003e9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.\u003c\/li\u003e\n\u003cli\u003e9 volt Battery\u003c\/li\u003e\n\u003cli\u003eTrue Bypass\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12732068266007,"sku":"JRAD-BLUE-TOUR","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/96d4d7cc6eb883a460dcf81af00cfda4.jpg?v=1538179439"},{"product_id":"catalinbread-adineko-oil-can-delay","title":"Catalinbread Adineko Oil-Can Delay Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #239173;\"\u003e\u003cstrong\u003eCatalinbread Adineko Oil-Can Delay Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalinbread's take on the Oil Can Delay units of yesteryear, if you're looking to add a little bit of viscosity or liquid-like texture to your guitar signal this pedal is the answer.\u003c\/p\u003e\n\u003cp\u003e\"As we always strive to do when making something old, new again, we want to honor the old experience and expand upon it. Our ADINEKO is no exception: the murky warble of the old units, traditionally only achievable when the oil's thickness is incorrect, can be conjured a twist of the VISCOSITY knob. The warm echo quality has an expanded range of delay time (TIMING knob), more so than any oil can unit could ever hope to achieve. The dual playback head is continuously balanceable (BALANCE knob) to favor one head over the other for interesting syncopation lobe feels.\"\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOil can delay units were manufactured by a company named Tel-Ray who later became better known as Morley. Tel-Ray mostly focused on being the OEM utilizing their oil can technology (\u003c\/span\u003e\u003ca class=\"md-Catalinbread-theme\" href=\"https:\/\/www.google.com\/patents\/US3530227?dq=tel-ray+electronics+patent\u0026amp;hl=en\u0026amp;sa=X\u0026amp;ved=0ahUKEwi0suaPoaXLAhUE02MKHamYDqoQ6AEIODAE\" target=\"_blank\"\u003ePatent US3530227 A\u003c\/a\u003e\u003cspan\u003e), branding units for Gibson (GA-RE4), Fender (Dimension IV), Acoustic, etc. They employed an electro-static storage method where the signal is “recorded” to a spinning disk, a layer of oil (for years rumored to be a mysterious carcinogenic oil) prevented this signal from leaking into the air before a “pickup” moments later played back the signal recorded to the disk. Compared to the counterparts of the day (tape, drum, wire delay machines), their sound was more low fidelity, murky, often with a more consistent musical vibrato that correlated to the spinning disk speed. We like to describe the sound as mysterious. The Catalinbread ADINEKO pedal is an echo, reverb, vibrato pedal that faithfully models the sonic experience of these oil can units.\u003c\/span\u003e\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732069150743,"sku":"ADINEKO","price":209.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/5fed5114a480138b8bc46370ee064f09.png?v=1538179455"},{"product_id":"earthquaker-devices-data-corrupter-modulated-monophonic-pll-harmonizer","title":"EarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer","description":"\u003ch4\u003e\u003cstrong\u003eEarthQuaker Devices Data Corrupter Modulated Monophonic PLL Harmonizer\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Data Corrupter is a monophonic analog PLL harmonizer with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003eDescription\u003c\/h5\u003e\n\u003cp\u003eThe Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. The three-position switch on the Master Oscillator control panel labeled Root feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the Master Oscillator’s Root switch to fine tune the Data Corrupter’s tracking response for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and\/or interval of which may be selected via the Master Oscillator’s eight-position rotary switch. The Voice Mixer’s Oscillator control adjusts the Master Oscillator blend.\u003c\/p\u003e\n\u003cp\u003eThe Frequency Modulator applies pitch-bend modulation to the Master Oscillator. In Glide mode, you’ll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.\u003c\/p\u003e\n\u003cp\u003eThe Subharmonic assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic’s Root switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path. To unleash the cracked machine lurking within the Data Corrupter mainframe, set the Subharmonic Root switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves. If you think you’re brave enough, set the Subharmonic Root switch to Oscillator and try experimenting with different Master Oscillator and Subharmonic programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the Voice Mixer’s Subharmonic control to set the lower octave volume.\u003c\/p\u003e\n\u003cp\u003eFinally, (or is it?) the Square control located top-left on the Voice Mixer blends in a fuzzed-out square-wave take of your input in its original octave. That’s it. These aren’t the droids we’re looking for. Move along.\u003c\/p\u003e\n\u003cp\u003eEach and every Data Corrupter is built one-at-a-time by a team of ensigns aboard the Starship Enterprise locked in orbit around the Borg Cube of Akron, Ohio, USA. Make it so. Engage.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eNerd Talk\u003c\/strong\u003e\u003cbr\u003eThe heart of this pedal is based around a CMOS Phase Locked Loop (PLL) IC. In a nutshell, the PLL takes your input signal and compares its phase and frequency against an oscillator, generates an output proportional to their difference then feeds it back to the oscillator. This then causes the oscillator to lock onto the input signal and generate a synthesized frequency. Pretty cool, right? This synthesized frequency is referred to as the Master Oscillator on the Data Corrupter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster Oscillator\u003c\/strong\u003e\u003cbr\u003eThe Master Oscillator takes it’s input from one of three sources: Unison, one octave down and two octaves down. Some frequencies are too high for the Master Oscillator to divide, therefore, shifting them down one or two octaves brings them back into the proper range (it also happens to sound super cool). These sources are referred to as “Root” and can be selected via a three-position switch. The Root is then fed into the PLL and multiplied to create one of eight different intervals over three octaves that are selected by the rotary switch to create your harmony! This harmony can then be manipulated via the Frequency Modulator section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Modulator\u003c\/strong\u003e\u003cbr\u003eThe Frequency Modulator has two modes, Glide and Vibrato. In Glide mode, the pitch will glide from note to note and the speed of the glide can be adjusted by the Rate control. At faster settings, this takes on a very cool phase shifting effect. In Vibrato mode, the pitch varies up and down to create a laser-like effect. The Frequency Modulator only affects the Master Oscillator, unless the Subharmonic Root switch is in the Oscillator position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSubharmonic\u003c\/strong\u003e\u003cbr\u003eThe Subharmonic section of the Data Corrupter creates a sub octave of the Root and then divides it up into eight intervals over three octaves which are selected by the rotary switch to create your subharmonic harmony. The Root comes from one of two sources, Unison or the Master Oscillator. When Unison is selected, the Subharmonic will be a division of the square wave fuzz tone and the Frequency Modulator will have no effect. When Oscillator is selected, the Subharmonic will be a division of the Master Oscillator and the Frequency Modulator will be applied to the Subharmonic harmony.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoice Mixer and Level\u003c\/strong\u003e\u003cbr\u003eThe Master Oscillator, Subharmonic and Square wave fuzz tone all have volume controls under the voice mixer section. Use these to blend the three voices together to taste. The Level is a master volume and determines the overall output level of the effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracking\u003c\/strong\u003e\u003cbr\u003eThis pedal should be placed close to front of your signal chain and before any delay, reverb or modulation effect. While it will work with most bridge pickups, the neck pickup will provide the best tracking results. Precise picking and single notes will track quickly and cleanly. Chords and sloppy playing will result in chaos. There is no control over the amount of gain because it really needs to be fine-tuned to properly track. Weak signals (like backing off on the guitar volume) will lead to poor tracking and gating.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign Notes\u003c\/strong\u003e\u003cbr\u003eThis Device takes its inspiration from the Electrax Synthax and the “Basic Frequency Synthesizer” by Ray Marston. Neither of these were really intended to be guitar effect pedals and a lot of work went into creating the Data Corrupter to provide excellent tracking and long sustain. We think you’ll find it more expressive and accurate than pretty much any other PLL based effect pedal around.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/h5\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Data Corrupter should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMeasures: 5.65″ x 4.65″ x 2.25″ with knobs\u003c\/li\u003e\n\u003cli\u003eCurrent Draw:  25mA\u003c\/li\u003e\n\u003cli\u003eInput impedance:  1M\u003c\/li\u003e\n\u003cli\u003eOutput impedance:  1K\u003c\/li\u003e\n\u003cli\u003eSwitching:  This device is true bypass and uses electronic relay based switching. Audio will not pass without power.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/h3\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732069249047,"sku":"EQDDATAV1USA","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7518.jpg?v=1605047690"},{"product_id":"earthquaker-devices-bit-commander-synth-guitar-effect-pedal","title":"EarthQuaker Devices Bit Commander Synth Guitar Effect Pedal","description":"\u003ch4\u003e\u003cstrong\u003eEarthQuaker Devices Bit Commander Synth Guitar Effect Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eBit Commander Analog Octave Synth\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths. Like all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eDimensions: \u003c\/b\u003e4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCurrent Draw: \u003c\/b\u003e25 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInput Impedance: \u003c\/b\u003e50 kΩ\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eOutput Impedance: \u003c\/b\u003e\u0026lt;500 Ω\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732070723607,"sku":"EQDBITCV2USA","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7516.jpg?v=1605047608"},{"product_id":"catalinbread-dirty-little-secret-mk-iii","title":"Catalinbread Dirty Little Secret MKIII (NOS)","description":"\u003ch4\u003e\u003cstrong\u003eCatalinbread Dirty Little Secret MK.III\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eBrought to you by the tinkering emulation masters at Catalinbread, the Dirty Little Secret delivers one of the best Marshall based Distortion Pedals on the market. The Dirty Little Secret captures the magic of not one but two of Rock and Roll's most iconic amplifiers, the Marshall Super Lead #1959 and the Marshall Super Bass #1986. Everyone from Hendrix to Angus Young to Duane Allman to James Hetfield have played or recorded with these amps at some point in their careers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLike a Marshall in a can!\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e• The tone controls get reconfigured, depending on what mode the pedal is set to. Whether in SL or SB mode, the tone circuit is exactly, part-for-part, the same tone circuit as found in Super Lead and Super Bass Marshalls, and they will behave and interact the same way as on their amp counterparts.\u003c\/p\u003e\n\u003cp\u003e• Full featured bass, middle, and treble tone controls provide precise adjustments for a multitude of tones and to match your amp and guitar.\u003c\/p\u003e\n\u003cp\u003e• Preamp controls the gain or amount of overdrive. The new DLS was tuned to allow a bit more gain than most plexi Marshalls actually got. Super Bass mode was tuned to have less gain then the Super Lead mode to get more of that early Marshall response.\u003c\/p\u003e\n\u003cp\u003e• Master knob controls the output volume. For the best response out of your DLS, you should set the Master volume so that the sound with the DLS engaged is a bit louder than your bypassed sound.\u003c\/p\u003e\n\u003cp\u003e• Consider your guitar's volume knob as part of the Dirty Little Secret's control surface. Even in Super Lead mode with the Pre-Amp cranked, you can get a perfectly clean sound by rolling back your guitar's volume knob. The \"Super Lead\" mode expands the range of the DLS MkII with more gain available and more control over your tone sculpting with the addition of the midrange control while still enhancing the touch-sensitive dynamic qualities that make the DLS so great to play.. The gain range now goes from classic plexi all the way to modified JCM800 levels and can get even more raw and open than any previous DLS. The \"Super Bass\" mode is a new voicing that gives you the tone and gain structure of a Marshall Super Bass (which is very similar to a JTM45 or JTM50\/100). This mode was voiced to really hone in on that elusive in-between \"not quite clean, not quite dirty\" response that old tube amps were so good at getting. 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It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus.\u003c\/p\u003e\n\u003cp\u003eTumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right.\u003c\/p\u003e\n\u003cp\u003eThe Tumnus’ streamlined 3 control knobs (Volume, Gain, and Tone) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone.\u003c\/p\u003e\n\u003cp\u003eLet’s face it, not everyone has room for a four-legged beast on their board. This slender biped slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to sell your prized gear possessions. 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Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you’re finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eDigital Delay \u0026amp; Reverb\u003c\/li\u003e\n\u003cli\u003eCombines two popular high-quality effects into a single space-saving enclosure\u003c\/li\u003e\n\u003cli\u003eIndependent control over delay and\/or reverb effects\u003c\/li\u003e\n\u003cli\u003e1.5 seconds of delay time\u003c\/li\u003e\n\u003cli\u003eDialed-in delay Repeats control\n\u003cul\u003e\n\u003cli\u003eOffers fine adjustment from a single echo to infinite repeats without digital artifacts or self-oscillation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eWhen used as a reverb only, the Repeats control adjusts the thickness, decay, depth, and tonal nature of the reverberated signal\u003c\/li\u003e\n\u003cli\u003eFlexi-Switch™ allows for momentary and traditional latching-style switching from a single silent footswitch\u003c\/li\u003e\n\u003cli\u003eTrue-bypass\u003c\/li\u003e\n\u003cli\u003eSilent relay-based switching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003ch5\u003e\n\u003cb data-mce-fragment=\"1\"\u003e \u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\n\u003c\/h5\u003e\n\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAll-analog dry signal path\u003c\/li\u003e\n\u003cli\u003eAll-digital wet signal path\u003c\/li\u003e\n\u003cli\u003eLifetime guarantee\u003c\/li\u003e\n\u003cli\u003eCurrent draw: 60mA\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 300k\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732129017879,"sku":"EQDDISPV3USA","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/DSCN2540.JPG?v=1546101675"},{"product_id":"j-rockett-audio-lenny","title":"J. 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There is a definite mid character, but boy does it cut through a mix!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoost\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– Tons of push, which creates an inter-play with the front end of any amp\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e– Dials in your highs, simply put\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe two controls are interactive and really need each other when slamming an amp. 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It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amp's mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we’d like to know too). What’s better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions: 4.75 x 2.50 x 2.00 in. (121 x 64 x 51 mm) with footswitch\u003cbr\u003eCurrent Draw: 10 mA\u003cbr\u003eInput Impedance: 100 kΩ\u003cbr\u003eOutput Impedance: \u0026lt;1 kΩ\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFlexi-Switch Technology\u003c\/strong\u003e\u003cbr\u003eThis device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003cbr\u003e\u003cbr\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003cbr\u003e\u003cbr\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003cbr\u003e\u003cbr\u003eSince the switching is relay based, it requires power to pass signal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e \u003cbr\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. 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It adds lush ambience, dimension, thickness, and depth in an unobtrusive way.\u003c\/p\u003e\n\u003cp\u003eWe are proud to brag that the Talisman is 479.99% smaller than the leading plate reverb! We always felt something was amiss with so-called \"plate reverb\" settings on many products in the marketplace. Let's be honest, they often simply sounded thin, metallic and crappy. It was almost as if the programmers said while tapping on a cookie sheet, \"yeah I know what a metal sheet sounds like, I'll program it to sound that way!\" Our goal was to capture all the goodness of classic studio plate reverb by actually experiencing a maintained EMT140 at Jackpot! Studios.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBecause plate reverb was born in the studio, on the Talisman we included studio style sidechain effects that are routinely paired with plates. These controls are PRE DELAY, which delays the reverb by about 100mS. And HIGH PASS, which rolls off the low frequencies of the reverb. Both of these controls allow you to tune the reverb, in order to keep it from interfering with the dry signal.\u003c\/p\u003e\n\u003cp\u003ePlate reverb is an artificial effect that utilizes a sheet of metal that vibrates sympathetically with a sound wave that hits it. The basic architecture of a plate reverb unit has a large, thin sheet of metal (nearly 6.5\"x3\" in the case of the legendary EMT140) that has a transducer at one corner driving the sheet in much the same way as a speaker would, on the other end a pickup to capture the vibrations of the metal sheet, and a mechanical dampener that reduces the plate vibration.\u003c\/p\u003e\n\u003cp\u003eThe reverb sonically stays out of the way of the dry path due to the minimal initial reflections and a full warm reverb that tapers smoothly fades out into a tail. In the studio, plate reverbs were routinely employed due to the way they added a natural ambience without interfering with the original program material - that and the fact that even though they were nearly 7 feet long and 4 feet tall, plate reverb units were a heck of a lot smaller than a giant room or hall when ambience was needed on recordings. Plate reverb units were used on just about every instrument including vocals. Though they sound particularly great with electric guitar due to the minimal early reflections which keeps plate reverbs from sounding too \"effecty\" and obvious. The warm quality of the full-bodied reverb naturally tapering off compliments perfectly the voice and range of the guitar. The problem has been until now, the giant size made plate reverb units prohibitive to use on the road. \u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732146548759,"sku":"TALIS","price":219.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/7b1aa51c34685b7ac072904919cbec58.jpg?v=1538180369"},{"product_id":"earthquaker-devices-the-organizer-organ-emulator-guitar-effect-pedal","title":"EarthQuaker Devices Organizer Polyphonic Organ Emulator Guitar Effects Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #1b8e90;\"\u003e\u003cstrong\u003eEarthQuaker Devices - Organizer Polyphonic Organ Emulator Guitar Effects Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique Guitorgan. It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It is simple to dial in and tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer be used on strings, it has been widely used on everything from vocals and synths to horns and drums? If it makes sound, the Organizer can handle it! The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog dry signal path.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt is made by hand, one at a time in dirty Akron, Ohio.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cspan style=\"color: #1b9597;\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1554736122984_144927\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003e1. Up:\u003c\/strong\u003e Level control for the octave up.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Down: \u003c\/strong\u003eLevel control for the octave down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3. Choir: \u003c\/strong\u003eThis control takes a mix of the octave Up and octave Down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a “church organ” like feel. This control only works if the octave Up and octave Down are in use.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-yui_3_17_2_1_1554736122984_150310\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003e4. Lag:\u003c\/strong\u003e Delay control for the wet signal. Full counterclockwise is minimal delay. Delay time increases as it rotates clockwise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5. Tone:\u003c\/strong\u003e Rolls off the high end as you dial it counterclockwise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6. Direct: \u003c\/strong\u003eLevel control for the analog dry signal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cspan style=\"color: #1b8e90;\"\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eDimensions: \u003c\/b\u003e4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs\u003cb\u003e\u003cbr\u003eCurrent Draw:\u003c\/b\u003e 81 mA\u003cb\u003e\u003cbr\u003eInput Impedance: \u003c\/b\u003e1 MΩ\u003cb\u003e\u003cbr\u003eOutput Impedance: \u003c\/b\u003e500 Ω\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSwitching\u003cbr\u003e\u003c\/b\u003eThis device is true bypass and uses electronic relay-based switching. Audio will not pass without power.\u003cb\u003e\u003cbr\u003e\u003cbr\u003ePower \u003cbr\u003e\u003c\/b\u003eThis device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDO NOT RUN AT HIGHER VOLTAGES! \u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\n\u003cb\u003e\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003cb\u003e \u003c\/b\u003e\n\u003c\/h5\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1554736122984_150310\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732146614295,"sku":"EQDORGAV2USA","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7501_2.jpg?v=1605047246"},{"product_id":"j-rockett-audio-archer-overdrive-boost-guitar-effects","title":"J. Rockett Audio Archer Overdrive\/Boost Guitar Effects Pedal","description":"\u003ch4\u003e\u003cstrong\u003eJ. Rockett Audio Archer Overdrive\/Boost Guitar Effects Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ba4d1b;\"\u003eDescription:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Archer is a versatile overdrive\/boost with amazing headroom that is designed to help you cut through the mix. The Archer is essentially a two-in-one pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find.  Experiment with the settings and be careful with the output! This dude is loud!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #b95b24;\"\u003e\u003cstrong\u003e Output:\u003c\/strong\u003e \u003c\/span\u003eThe volume control is very powerful and drives fairly hard relatively early. This allows you to hit the front end of an amp or pedal to get very aggressive or crystal clear.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #be5b22;\"\u003e\u003cstrong\u003eTreble: \u003c\/strong\u003e\u003c\/span\u003eThe Treble control is a very effective EQ that goes from dark to a very \"chimey\", bright tone. It's great to create that midrange clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #bc561f;\"\u003e\u003cstrong\u003e Gain: \u003c\/strong\u003e\u003c\/span\u003eThe gain also acts as a mixer control between the clean boost and the gain. Turn the gain all the way down and your output becomes the volume for all clean boost. Start blending in the gain control and it will simultaneously reduce clean volume and introduce gain...somewhere in the middle is the sweet spot or mix of the two\u003c\/p\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12732147073047,"sku":"JR-ARCHER","price":229.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/737e9174ee8fa3165eda17ea9f9185f7.jpg?v=1538180388"},{"product_id":"jhs-pedals-peel-n-pulp-v4-compressor-preamp","title":"JHS Pedals Pulp N' Peel V4 Compressor\/Preamp Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #fc8106;\"\u003e\u003cstrong\u003eJHS Pedals Peel N' Pulp V4 Compressor\/Preamp Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼” and balanced XLR outputs have you covered. This compressor\/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003eThe exact compression you’ve been waiting for\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWe know how much effort you put into getting your tone exactly right. That’s why we worked extremely hard to ensure the Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note that blooms out of your amplifier.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImproved detection circuit for smoother tones with added sustain\u003c\/li\u003e\n\u003cli\u003eActive EQ control that cuts or boosts high end\u003c\/li\u003e\n\u003cli\u003eParallel Blend control balances your compressed and uncompressed signals\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003eWarm studio-style grit to help you cut through\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirt voiced to go from warm tone enhancement to gritty tonal foundation\u003c\/li\u003e\n\u003cli\u003eLow-profile gain control is safely located on the side of the pedal\u003c\/li\u003e\n\u003cli\u003eWorks especially great on bass\u003c\/li\u003e\n\u003cli\u003eIncreased output works as a fantastic full-frequency boost\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff8000;\"\u003e\u003cstrong\u003eOnstage, in the studio, or anywhere else\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNo matter what electric instrument you play, we’ve outfitted the Pulp ‘N’ Peel compressor\/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStandard ¼” instrument input and output\u003c\/li\u003e\n\u003cli\u003eXLR\/DI balanced output for going direct to the board or interface (Try it on Acoustic and bass!)\u003c\/li\u003e\n\u003cli\u003eGround-lift switch avoids unwanted signal interference\u003c\/li\u003e\n\u003cli\u003eHigh-quality buffer switch allows true-bypass or buffered operation for driving long cable runs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.6\"x4.8\"x1.5\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVERSION HISTORY:\u003c\/strong\u003e\u003cbr\u003eV1 = only 2 knobs. no logo. VERY rare.\u003cbr\u003eV2 = 3 controls, softer orange color, older orange slice logo\u003cbr\u003eV3 = 3 controls, includes LBB via internal dip switch\u003cbr\u003eV4 = 4 controls, added an EQ knob, Dirt toggle, XLR output\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":12732147990551,"sku":"PULPPEEL-V4","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/4e8171163f9e1775903286b34b7b6eb4.jpg?v=1538180403"},{"product_id":"j-rockett-rockaway-archer-overdrive-eq-all-in-one-guitar-effects-pedal","title":"J. Rockett Audio Rockaway Archer Overdrive \u0026 EQ All-in-One Guitar Effects Pedal","description":"\u003ch4\u003e\u003cstrong\u003eJ. Rockett Rockaway Archer Overdrive \u0026amp; EQ All-in-One Guitar Effects Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eBrand new and hot off the presses from J. Rockett Audio Designs comes The Rockaway Archer with it's own 6-Band EQ, allowing you to tailor the Archer Overdrive to your exact tonal needs.\u003c\/p\u003e\n\u003cp\u003eThe Rockaway Archer is an overdrive and EQ all-in-one pedal. The Rockaway Archer was developed for legendary guitarist Steve Stevens as an all-in-one solution to Steve’s overdrive and EQ needs.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRockaway Archer features:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSix band graphic EQ\u003c\/li\u003e\n\u003cli\u003eVolume and gain knobs\u003c\/li\u003e\n\u003cli\u003eI\/O jacks at the head of the pedal\u003c\/li\u003e\n\u003cli\u003e9V DC operation with standard – tip and + sleeve\u003c\/li\u003e\n\u003cli\u003eApproximately 4” x 2.50” in size\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe settings include Up to 18dB of cut or boost at 6 different frequencies. Each frequency is increased by pushing its corresponding slider up on the pedal or decreased by pushing them down. This also adds or decreases volume. It is a great way to hit the front end of an amp harder than a stock Archer. The Rockaway Archer has an incredible variety of sounds due to the multitude of ways the EQ section can be used!\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0eec93;\"\u003e\u003cstrong\u003eFrequency List:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBand 1 – 100 Hz Far Left\u003c\/li\u003e\n\u003cli\u003eBand 2 – 200 Hz\u003c\/li\u003e\n\u003cli\u003eBand 3 – 400 Hz\u003c\/li\u003e\n\u003cli\u003eBand 4 – 800 Hz\u003c\/li\u003e\n\u003cli\u003eBand 5 – 1.6K\u003c\/li\u003e\n\u003cli\u003eBand 6 – 3.2K Far Right\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12732154970135,"sku":"JRAD-ROCKAWAY","price":229.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/799ab486e28d79b1387b5e59cddb9a9b.jpg?v=1538180566"},{"product_id":"jhs-pedals-buffered-splitter-ay-split","title":"JHS Pedals Buffered Splitter AY-Split","description":"\u003ch4\u003e\u003cstrong\u003eJHS Pedals Buffered Splitter AY-Split \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThere are so many reasons to add the JHS Pedals Buffered Splitter to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter, or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding our Buffered Splitter to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting our Buffered Splitter on your board will give you your tone back.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eSimple and effective signal-splitting device\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are a ton of applications for adding a Buffered Splitter to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the JHS Buffered Splitter, you’ll never be without one again. Here are just a few options.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSend one signal to a tuner that is out of the signal chain while retaining your full tone\u003c\/li\u003e\n\u003cli\u003eIn a dual-amp setup, both amplifiers will see a powerful, clean signal\u003c\/li\u003e\n\u003cli\u003eBassists can send one side to their amplifiers, while sending the other to the board\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eKeeps your tone clear, powerful, and pristine\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you’re as pedal happy as we are at JHS, you’re going to want this quality buffer in your signal chain. The Buffered Splitter is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConverts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chains\u003c\/li\u003e\n\u003cli\u003eRetains the original tone of your guitar without coloration from the other gear in your signal chain\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eConvenient low-profile design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA device such as the Buffered Splitter is content to be a workhorse piece of gear that quietly does its job in the background. That’s why we designed this little guy to be compact, sturdy, and simple to integrate into your rig.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSmall size is ideal for saving pedalboard space\u003c\/li\u003e\n\u003cli\u003eCan easily be mounted underneath your board\u003c\/li\u003e\n\u003cli\u003eBuilt rugged\u003c\/li\u003e\n\u003cli\u003eBlack powder coating keeps the buffer hidden in the background\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 3.6\"x1.5\"x1\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":12732156477463,"sku":"BUFFSPLITTER","price":95.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/jhs-pedals-Buffered_Splitter.png?v=1599177741"},{"product_id":"catalinbread-galileo-brian-may-vox-ac30","title":"Catalinbread Galileo MKII (NOS)","description":"\u003ch4\u003e\u003cstrong\u003eCatalinbread Galileo MKII Overdrive Pedal\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eCaptures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #6b470a;\"\u003e\u003cstrong\u003e\u003cspan class=\"testimony\"\u003e\"Queen in a box\"\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBrian May’s sonic signature not only comes from his home built “Red Special” guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, accessing a wide range of tones simply by manipulating his volume knobs and pickup settings. From his guitar, to the treble booster, to the amps, his entire rig is essentially a singular musical instrument. One that inspires the sort of playing May is known for. We designed the Galileo with this playing approach in mind, that with it you can roll your guitar volume back for jangly AC30 cleans, and crank it up for searing leads and aggressive yet focused rhythm tones.\u003c\/p\u003e\n\u003cp\u003eThere is something very special about a treble-booster hitting a Vox AC30. The midrange gets super throaty with an amazing harmonic swirl. Back the guitar volume down and that iconic Vox jangle gets magnified - it can sound angry and aggressive, yet chimey and beautiful at the same time. It's a complex harmonically laden tone that is very compelling to play. Even though the Vox AC30 is mere 30 watts, to crank one up in order to achieve the tones that May achieved, it is VERY loud. Too much volume for most playing situations. Enter the Galileo! The Galileo is a custom-tuned Rangemaster booster combined with the preamp section of a Vox AC30 delivering the distinctive throaty mid-range and jangly crunch of Brian May. The Galileo has three controls tuned to deliver the essence of the Brian May sound  - GAIN, TONE, and VOLUME. With guitar volume knob turned full up, you'll get the soaring lead tones and tight but aggressive rhythm tones of Brian May. Turn your guitar volume knob down slightly and you'll be tying your mother down all night. Turn your guitar down further and you'll get an amazing jangly clean sound that isn't really clean but is! In a full band context, this pedal will cut through with just the right frequencies to fit perfectly in the mix.\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732157591575,"sku":"GALILEO","price":144.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/71054ce3c13268b8a8089b219a59c740.jpg?v=1538180619"},{"product_id":"earthquaker-devices-avalanche-run-stereo-reverb-delay-effects-pedal","title":"EarthQuaker Devices Avalanche Run Stereo Reverb \u0026 Delay with Tap Tempo","description":"\u003ch4\u003e\u003cspan style=\"color: #1db2f7;\" data-mce-style=\"color: #1db2f7;\"\u003e\u003cstrong\u003eEarthQuaker Devices Avalanche Run Stereo Reverb \u0026amp; Delay with Tap Tempo \u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe EarthQuaker Devices Avalanche Run is a 2-in-1 Stereo Reverb and Delay effects pedal that features Stereo Output, an Expression Jack, and 6 Ratio Settings as well as a full selection of controls to dial in the reverb and delay to your liking.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eDescription\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eStereo Reverb \u0026amp; Delay\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Avalanche Run was developed with one goal in mind: to take the floating ambient tones of our Dispatch Master to the next level while still keeping it user friendly and refined. Taking you into the aural exploratorium without having to break open the user manual every time you want to open up your inner eye and get free is no easy task. We are using a high powered proprietary DSP platform to recreate all the characteristics of all our old favorite delay and reverb machines while still retaining a simple, yet flexible workspace. It has been a long time coming but well worth the wait! Enough bullshit, let’s talk about the damn pedal!\u003c\/p\u003e\n\u003cp\u003eThe Avalanche Run is a dreamy sonic discovery device with up to 2 seconds of delay time and a lush reverb. It features complete control over delay time, repeats, mix and voice (with the tone control), as well as control over the reverb length and mix. It can run in one of 3 different modes: Normal, Reverse and Swell. In “Normal” mode, the Avalanche Run functions as a straightforward delay and reverb. In “Reverse” mode, the delay line is in reverse and the reverb remains in normal mode. In “Swell” mode, the Avalanche Run reacts to your picking dynamics and adds a volume swell to the entire signal path much like manually raising and lowering the volume of your guitar.\u003c\/p\u003e\n\u003cp\u003eThe Avalanche Run features an expression jack that can be assigned to one of six different controls using the “EXP” selector switch. It also features Tap Tempo with six different ratios accessed via the “Ratio” selector switch. The Avalanche Run can also be run in “True Bypass” mode or “Buffered Bypass” mode for trails and features 5 different tail lengths including “Infinite” for lo-fi and continuously degrading pseudo-looping.\u003c\/p\u003e\n\u003cp\u003eThe Tap switch also has a few other cool secondary functions. While in Normal and Swell mode, you can send the Avalanche Run into self-oscillation by holding down the “Tap” footswitch. In Reverse, mode holding down the Tap switch will flip the delay back into Normal mode and return to Reverse mode once released!\u003c\/p\u003e\n\u003cp\u003eEach and every Avalanche Run is completely assembled, wired and tested by total human beans in the tiny tundra town of Akron, Ohio.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTOP ROW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTime:\u003c\/strong\u003e This controls the delay time and goes from 0ms to just under 2000ms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRepeats:\u003c\/strong\u003e Controls the regeneration of the delay, from zero repeats to near infinite.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMix: \u003c\/strong\u003eThe is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eBOTTOM ROW\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpression Jack Assign Switch:\u003c\/strong\u003e Use this switch to map the expression jack to one of the assigned controls.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eDecay- \u003c\/strong\u003eControls the reverb decay length\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eR Mix-\u003c\/strong\u003e Controls the reverb mix\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003eTime- \u003c\/strong\u003eThis takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kind\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: 410 mA\u003c\/li\u003e\n\u003cli\u003eInput Impedance: 1 MΩ\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 100 Ω\u003c\/li\u003e\n\u003cli\u003eS\/N Ratio: 115dB typical\u003c\/li\u003e\n\u003cli\u003e24-bit 96kHz A\/D \u0026amp; D\/A converters\u003c\/li\u003e\n\u003cli\u003eAll analog dry signal path\u003c\/li\u003e\n\u003cli\u003eAll digital wet signal path with 20Hz – 20kHz frequency response\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003e\u003cbr\u003eExpression Jack\u003cbr\u003e\u003c\/b\u003eThe expression jack is located on the west side of the pedal. It is a TRS jack with the tip acting as the wiper. \u003cbr\u003e\u003cbr\u003eWe recommend using a Moog expression pedal with the output adjustment knob all the way up. \u003cbr\u003e\u003cbr\u003eWe cannot guarantee any other expression pedal to work with the Avalanche Run.\u003cb\u003e\u003cbr\u003e\u003cbr\u003eFlexi-Switch® Technology\u003cbr\u003e\u003c\/b\u003eThis device features Flexi-Switch® Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.\u003cbr\u003e\u003cbr\u003eFor standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.\u003cbr\u003e\u003cbr\u003eFor momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed.\u003cbr\u003e\u003cbr\u003eSince the switching is relay based, it requires power to pass signal.\u003cb\u003e\u003cbr\u003e\u003cbr\u003ePower \u003cbr\u003e\u003c\/b\u003eFor best results, please use the included 9v center-negative 1-amp DC power supply.\u003cbr\u003e\u003cbr\u003ePCBs populated by a combination of artificial and human intelligence in the Akron, Ohio of America.\u003cbr\u003e\u003cbr\u003eEach and every Avalanche Run is completely assembled, wired and tested by total human beans in the tiny tundra town of Akron, Ohio.\u003cb\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb data-mce-fragment=\"1\"\u003e \u003c\/b\u003e\u003c\/h5\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cbr\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732183642135,"sku":"EQDAVALV2USA","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7505.jpg?v=1605047575"},{"product_id":"j-rockett-audio-designs-tranquilizer-phaser-effects-pedal","title":"J. Rockett Audio Tranquilizer Phaser Effects Pedal (B-Stock)","description":"\u003ch4\u003e\u003cspan style=\"color: #369f70;\"\u003e\u003cstrong\u003eJ. Rockett Audio Designs Tranquilizer Phaser Effects Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe \u003cspan style=\"color: #389e70;\"\u003e\u003cstrong\u003eTranquilizer Phaser\u003c\/strong\u003e \u003c\/span\u003eis J Rockett's take on the classic Phase-45 design. Featuring a 4-control layout, you can truly fine tune the swirling phaser tones you've always been after. Capable of Vibrato tones as well as vintage style Phasing, the Tranquilizer also sports a \"Fat\" control that allows you to fine tune the low-end thump of the phased signal, meaning you don't have to have an overly dominant low-end on the farthest edges of the phase.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #389e70;\"\u003e\u003cstrong\u003eDescription:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe new Tranquilizer is a swirly machine. One of our favorite effects of old was the original phase 45. We always thought it was more musical than the 90 and less “in your face”. We started out to make a recreation but then discovered features we needed. The tranquilizer is capable of classic phase 45 sounds, classic Univibe sounds, classic Leslie sounds and classic vibe only sounds. The key to everything morphing is in the Focus control, which is an external biasing feature. One of the things we never liked about the classic 45’s was that you could not control the low-end whomp, but you can with the Tranquilizer.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #389e70;\"\u003e\u003cstrong\u003ePhase\/Vibe\u003c\/strong\u003e \u003c\/span\u003e– All the way left is 100% phase, all the way right is 100% vibe and anything in-between is a blend of the two. The 12:00 setting is exactly a perfect 50\/50 blend so you can lean toward more vibe or more phase, whichever you prefer\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #389e70;\"\u003e\u003cstrong\u003eFocus\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e– There is a general area between 10:00 and 2:00 where you get the dramatic differences but anything beyond that can be very subtle, to no effect at all, so please experiment. You will find your Leslie tones, your Univibe tones and some other craziness in between\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #389e70;\"\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e \u003c\/span\u003e– Controls the speed for both vibe and phase\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #389e70;\"\u003e\u003cstrong\u003eFat\u003c\/strong\u003e \u003c\/span\u003e– Controls the low-end whomp. If you have the bias set super subtle you can increase the fat control to bring out the effect a bit more for a smoother turnaround\u003c\/p\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12732186558487,"sku":"JRAD-TRQ","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/b38c86678d963de6518a6529afde900a.jpg?v=1538181327"},{"product_id":"wampler-pedals-brad-paisley-signature-paisley-drive","title":"Wampler Pedals Brad Paisley Signature Paisley Drive","description":"\u003ch4 class=\"product-sdesc\"\u003e\u003cspan style=\"color: #0f86c7;\"\u003e\u003cstrong\u003eWampler Pedals Brad Paisley Signature Paisley Drive\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp class=\"product-sdesc\"\u003eI’m guessing that most of you know the story about Brian modding a pedal and throwing it onto the stage in front of Brad Paisley?\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-ldesc\"\u003e\n\u003cp\u003eWell, if you don’t…. That’s exactly what happened. During the show, Brian threw a modded pedal onto the stage in the hope that Brad would pick it up and try it. Fortunately for us, and you, Brad’s tech picked it up, played it - digged it and gave it to Brad who took it away and LOVED it. From that point on, he has used and loved Wampler Pedals.\u003c\/p\u003e\n\u003cp\u003eAfter a few years of using our pedals (Ego, Underdog and Faux AnalogEcho) Brad’s new tech, Chad, mentioned to Brian that Brad wasn’t 100% content with his tone and maybe we should all work together to make the perfect overdrive for Brad to record and tour with.\u003c\/p\u003e\n\u003cp\u003ePaisley’s requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. It needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal!\u003c\/p\u003e\n\u003cp\u003eOver a period of months, Brian made some circuits and sent them off, there were a couple of “tweaks” here and there to be made and then finally, when official “prototype #2.0” landed, it went straight into the live rack and out on the 2010 “Brad Paisley: H20” world tour.\u003c\/p\u003e\n\u003cp\u003eThe truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing.\u003c\/p\u003e\n\u003cp\u003eThe built in tonal controls, the presence and mid contour switches (giving three completely different EQ styles – warm mids, neutral, and a more mid scooped character, will make this pedal one of the most versatile and complete overdrive pedal you have ever owned.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBrad Paisley\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“…we actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I’ve got and compared the sound of the distortion and it was very, very similar. And that’s a very good test because any time a pedal can mimic a great overdriven amp then you’re on to something…\u003c\/em\u003e\u003cstrong\u003e”\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e________\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #0f86c7;\"\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in the U.S.A. High grade components picked for their superior sound and response\u003c\/li\u003e\n\u003cli\u003e2 switches – Presence and Mid Contour.\u003c\/li\u003e\n\u003cli\u003eRelay true bypass with soft switch\u003c\/li\u003e\n\u003cli\u003eTop mounted input and output jacks.\u003c\/li\u003e\n\u003cli\u003eBattery connection and 9v power jack\u003c\/li\u003e\n\u003cli\u003ePower draw: between 9mA (9v) and 17mA (18v).\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":12732188950551,"sku":"WAMPLER-PAISLEY","price":219.97,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/fd50824a325e4492345932a8e658d6a0.jpg?v=1538181368"},{"product_id":"wampler-ethereal-reverb-and-delay","title":"Wampler Ethereal Reverb and Delay Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #40a69c;\"\u003e\u003cstrong\u003eWampler Ethereal Reverb and Delay Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eHow many times have you sat in front of your favorite ambient pedal and felt like you need weeks of training at NASA to use it? Knobs, switches, sliders…It’s often SO hard and frustrating to find a usable tone on those things quickly... Keeping that firmly in mind, when we first considered making an ambient pedal, ease of use was a top priority, right up there with top tier quality tone on par with pedals at twice the price.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eHow do you describe a pedal like the Wampler Ethereal? Does ambient heaven cover it? Is it the gateway between real life and the astral plane? Or is it just gorgeous? It’s hard to know which phrase to use when talking about it, because they all match it perfectly… plus, of course, so easy to use you’ll be getting those perfectly Ethereal tones instantly.\u003cbr\u003e\u003cbr\u003eWhen designing the Ethereal these were the EXACT thoughts running through the mind of Brian Wampler. He wanted to make a delay that is as pure as you could want, with a time of up to 1s, a reverb that is thick and then have the option to mix them all up and put them together in one glorious effect that will send you away… all the way away while making it as easy to use and easy to find those perfect tones as possible.\u003cbr\u003e\u003cbr\u003eOh, and did we tell you – it’s been a bit of a secret, there isn’t one delay lurking within the Ethereal, there are two! The first delay constantly sits there like a heartbeat, coming back at you at quarter notes, we then layer another over the top – that one can be put into a triplet pattern, or a dotted 8th (so you can get that beautiful quarter + dotted 8th mix) and even a self-oscillating dotted eighth pattern that just takes you away and leads you over the edge and down the rabbit hole into perfect ambience… Things can get a little crazy when that one is selected, so you know, knock yourself out – it’s there to make some incredibly strange yet beautiful sounds… See that little switch down there? Yep, that’s the one, just to the right of the stomp - that’s a trails button. When this is used the delay patterns and reverbs sing out after the pedal has been deactivated, so you can even control what you want to come back at you.\u003cbr\u003e\u003cbr\u003eWhile you are enjoying the delay patterns, sitting underneath is that beautifully cavernous plate style reverb that is alive with character and shape, that can be brought in to exactly the right level (whether that be under your guitar, the same level - unity, or even considerably louder) to compliment the delay.\u003cbr\u003e\u003cbr\u003eAs you can imagine, this has been some feat of engineering (definitely worth waiting for) as we wanted all this to happen from a regular sized box, with the purity of tone and response you would expect from a Wampler. So, as with our other time pedals, we split the signal going in, the effected signal is then laid back on top of the original base tone, making sure that YOUR guitar sounds exactly how it does going in.\u003cbr\u003e\u003cbr\u003eThe Wampler Ethereal. Not only can it be used a stand alone reverb or delay pedal, it can be combined for you to worship, to get lost in, to even help you inspect your shoes… but most of all, it was designed to inspire.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":12732191997975,"sku":"WMP- ETRL","price":199.97,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/8013aff937088ebd17f2a74c08a6a7de.jpg?v=1538181451"},{"product_id":"earthquaker-devices-park-fuzz-sound-reissue","title":"EarthQuaker Devices Park Fuzz Sound Reissue","description":"\u003cp\u003e\u003cspan style=\"color: #1d72c4;\"\u003e\u003cstrong\u003eEarthQuaker Devices - Park Fuzz Sound Reissue\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe EarthQuaker Devices Park Fuzz Sound is a fantastic reissue of the classic Park Fuzz. You can get everything from a lightly distorted overdrive to a full on fuzzed out doom tone. The Park Fuzz Sound still sits in a unique spot in the realm of fuzz pedals. With 40+ Fuzz Pedals in our shop this one definitely has a unique tone not immediately reminiscent of any other Fuzz Pedal family-tree.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #166bcc;\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003ch3\u003e\u003cspan style=\"color: #1272df;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan style=\"color: #116bd2;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cb\u003eDescription\u003c\/b\u003e\u003c\/h5\u003e\n\u003ch4\u003e\u003cspan style=\"color: #2174c4;\"\u003e\u003cstrong\u003ePark Fuzz Sound \u003c\/strong\u003eVintage Germanium Fuzz Tone\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eThe Park Amplification company, originally started by Jim Marshall himself, has almost as much history as the actual Marshall name. As the story goes, Jim Marshall entered a distribution deal for his amp line in 1965, but the terms of the deal were vague enough such that Marshall could build amps on the side, just not under his own name. Thus, Park was born, and the amps produced under that name were slight variations on Marshall circuits until the company dissolved in 1982.\u003cbr\u003e\u003cbr\u003eAmong the line of amps, a few pedals were also produced. Most of them were wahs or variations thereof, but one pedal stuck out: The Park Fuzz Sound.\u003cbr\u003e\u003cbr\u003eThe original pedal (we had one) featured unlabeled TO-1 package transistors, so one would think that the circuit left us with Jim Marshall. However, the good folks at EarthQuaker Devices, in collaboration with the newly-resurrected Park Amplification, have faithfully recreated the Park Fuzz Sound so that a new generation may enjoy it.\u003cbr\u003e\u003cbr\u003eWhile the original deployed the aforementioned mystery cans, the new Park Fuzz Sound uses a different set of NOS germanium transistors, hand-selected for a tonal match. Indeed, when A\/B’d with the original unit, the sounds were strikingly similar. In fact, the staff at PGS was split right down the middle as to which was which. What’s more, when doing the test, we had to set the new Park Fuzz Sound’s Fuzz control at about half, whereas the original was dimed. The reissue has way more range in the Fuzz dial than the original.\u003cbr\u003e\u003cbr\u003eAnother bugaboo of original fuzz pedals is the powering situation; in the case of the original Park, it’s powered by a battery only but changing it out required using a lever to pry open the lid. While that’s a hassle, using batteries is kind of a hassle in and of itself. However, this and many older fuzz pedals are positive-ground; the common workaround is reversing the lugs on the power jack internally, but this configuration means that the pedal cannot be daisy-chained. The new Park Fuzz Sound doesn’t phone it in, offering a chip inside that corrects the voltage problem for complete rig integration.\u003cbr\u003e\u003cbr\u003eThe new Park Fuzz Sound is hand-made, one at a time in exotic Akron, Ohio. The pedal is wired for true bypass and accepts a standard 9v center-negative Boss-style power adapter. The current draw is low, so it’s ready for your isolated power supplies.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cspan style=\"color: #2174c4;\"\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cspan\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cstrong\u003eVolume:\u003c\/strong\u003e This is the level control, louder to the right, quieter to the left.\u003cbr\u003e\u003cstrong\u003eTreble\/Bass:\u003c\/strong\u003e This is the tone control, thicker tones to the right, brighter to the left.\u003cbr\u003e\u003cstrong\u003eFuzz:\u003c\/strong\u003e This is the gain control, more fuzz to the right, less to the left.\u003c\/p\u003e\n\u003cbr\u003e\n\u003ch5\u003e\u003cspan style=\"color: #2174c4;\"\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003ch5\u003e\u003cspan\u003e\u003cstrong\u003eMeasures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h5\u003e\n\u003cp\u003e4.75″ x 2.50″ x. 2.25″ with knobs\u003c\/p\u003e\n\u003ch5\u003ePower\u003c\/h5\u003e\n\u003cp\u003eOur pedals take a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent draw is 10 mA.\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":12732194619415,"sku":"EQD-PARK","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/IMG_7530.jpg?v=1605048450"},{"product_id":"catalinbread-formula-no-55-tweed-deluxe-foundation-overdrive-pedal","title":"Catalinbread Formula No. 55 Tweed Deluxe Foundation Overdrive Pedal (NOS)","description":"\u003ch4\u003e\u003cspan style=\"color: #942c2c;\"\u003e\u003cstrong\u003eCatalinbread Formula No. 55 Tweed Deluxe Foundation Overdrive Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe Catalinbread Formula No. 55 Tweed Deluxe Overdrive pedal is an exacting replica of the classic 100-watt Fender Tweed Deluxe 5E3 preamp utilizing JFET's in place of the preamp tubes. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cem\u003eNext-generation 5E3 Tweed Deluxe inspired Foundation Overdrive with incredible range - from Grant Green to Crazy Horse!\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Formula No. 55 is a Foundation Overdrive that reproduces, in exacting detail, the preamp section of the classic Fender™ tweed 5E3 Deluxe using an all-discrete JFET-based signal path. The Volume and Tone controls replicate, part for part, the circuitry of the 5E3, giving you authentic tweed amp response.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe output section is designed to give you lots of punch and volume with a low output impedance to drive your amp perfectly. Set the Hi-Lo button to “Lo” for the cleaner response of a vintage tweed. “Hi” is like hot rodding your amp by swapping in higher gain tubes.\u003cbr\u003e\u003cbr\u003eLike all Catalinbread pedals, no SMD parts are used for audio circuitry. Only through-hole components selected for tone and response are used such as carbon composition resistors and premium capacitors. We hand-build them and we tone-test each one to ensure you get the best we can offer.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #7b2a0c;\"\u003e\u003cstrong\u003eCONTROLS:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVolume: From warm fat jazz clean to thick horn-like barking overdrive.\u003c\/li\u003e\n\u003cli\u003eTone: Noon for flat. Turn down for warm, smokey tones. Turn it up to boost upper mids and cut through the mix.\u003c\/li\u003e\n\u003cli\u003ePresence: Adjusts ~ 5khz range. Set to noon to start. Turn it up for more bite! Turn it down to warm things up.\u003c\/li\u003e\n\u003cli\u003eMaster: Sets output level. Lots of boost on tap.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #93410a;\"\u003e\u003cstrong\u003eHi-Lo Button:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHi\/Red: Like swapping in hotter tubes, for more gain, overdrive and attitude.\u003c\/li\u003e\n\u003cli\u003eLow\/Green: Low gain mode from clean to overdrive\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":12732196454423,"sku":"FN55","price":149.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/31d76e10acf6a79a4728eec12668832f.jpg?v=1538181573"},{"product_id":"wampler-the-doctor-lo-fi-ambient-delay","title":"Wampler The Doctor Lo-fi Ambient Delay Pedal","description":"\u003ch4\u003e\u003cspan style=\"color: #4931c4;\"\u003e\u003cstrong\u003eWampler The Doctor Lo-fi Ambient Delay Pedal\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003eBorn from a collaboration between Brian Wampler and superstar, tele-master Brad Paisley, The Doctor Lo-Fi Delay pedal exudes a gritty character that works as well for laying down an ambient sonic bed as it does for old-school slapback. Give the pedal’s Rate and Depth knobs a spin, and the self-oscillating repeats easily become an aural wash that, while not interfering with the notes you’re playing, is still far from subtle. And the pedal’s straightforward control layout - such as onboard tap tempo control with four easily selectable rhythmic subdivisions - makes use of The Doctor Lo-Fi Delay a triumph over many of the menu-based delay engines of today. Brian Wampler and Brad Paisley know guitar tone. Take a tip from them and add the lo-fi delay goodness of The Doctor to your pedalboard. We think you’ll find it’s right in your Wheelhouse.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThere are few tones more addictive to guitarists than the runaway repeats of a self-oscillating delay. With The Doctor, you can put that glorious chaos underneath your playing as an ambient cloud that is anything but pristine. We think you’ll find that Brian Wampler has succeeded in expertly balancing the line of tonal radiance and grainy disintegration like precious few delay pedal creators before. The Lo-Fi repeats that become a sonic bedrock for your tone, working along with the modulation, and the 100% analog, untouched signal path for your original\/through tone.\u003cbr\u003e\u003cbr\u003ePlug it in, step on the footswitch, and be inspired. That’s how easy The Doctor Lo-Fi Delay is to use. Unlike many menu-based digital pedals, Wampler wants you to be able to twist a few knobs and get the exact tone you’re looking for. If reading manuals and scrolling through deep menus makes you sick, we have just The Doctor for you... The Doctor has been carefully engineered to be plug-and-play ready with an intuitive control layout that will be familiar to most players and absolutely no menu diving or confusing computer-based editors.\u003cbr\u003e\u003cbr\u003eThe onboard tap tempo footswitch and Sub Divisions (quarter, eighth, dotted eighth, and triplets) button are effortlessly accurate o giving you on the fly rhythmic control - making sure the repeats that are every bit the musical instrument as your guitar and amplifier. We have even included an external tap tempo in\/out control. This allows you to connect another compatible pedal and have The Doctor control its delay time, or have it control The Doctor – the days of tap tempo tap dancing are numbered!\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #4931c4;\"\u003e\u003cstrong\u003eTechnical: \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in the U.S.A\u003c\/li\u003e\n\u003cli\u003eHigh grade components picked for their superior sound and response\u003c\/li\u003e\n\u003cli\u003eRelay true bypass with soft switches\u003c\/li\u003e\n\u003cli\u003eTop mounted input and output jacks\u003c\/li\u003e\n\u003cli\u003eExternal Tap Tempo Out\/In\u003c\/li\u003e\n\u003cli\u003e9v power jack\u003c\/li\u003e\n\u003cli\u003ePower draw: 53mA (at 9v) and 63mA (at 18v) (LED will flash 3 times when power from battery is getting low)\u003c\/li\u003e\n\u003cli\u003eSpatial, ambient trails - the more clockwise you move the tone control, the more swirly and ambient the repeats are leading you effortlessly into amazing self-oscillation\u003c\/li\u003e\n\u003cli\u003eMaximum 800ms delay\u003c\/li\u003e\n\u003cli\u003eFour subdivisions: Quarter, Eight, Dotted 8th and Triplet\u003c\/li\u003e\n\u003cli\u003e3.5″ x 4.50″ x 1.5″ (88.9mm x 114.3mm x 38.1mm) – height excludes knobs and switches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":12732199305239,"sku":"WMP-DOC","price":239.97,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/8ec6540f97a7b6707a76712539374843.jpg?v=1538181638"},{"product_id":"j-rockett-audio-animal-overdrive-tour-series","title":"J. Rockett Audio Animal Overdrive Pedal - Tour Series","description":"\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJ. Rockett Audio Animal Overdrive Pedal - Tour Series\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cbr\u003e\n\u003cp\u003eThe J. Rockett Audio Designs Animal Overdrive Pedals is their ode to glorious rock'n'roll tones produced by the '68 Plexi's of yesteryear. The Animal OD has an inherent midrange crunch and plenty of control for the low end and treble.\u003c\/p\u003e\n\u003cp\u003eWith four controls the Animal is exceedingly simple to dial in. The Treble and Bass knobs will be your main tone shaping controls, with the Gain control determining the overall character of the tone, and finally the Volume control adjusts the output of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#000000\" style=\"color: #000000;\"\u003e\u003cb\u003eDescription:\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe ANIMAL OD is back by popular demand. The Animal is an accurate recreation\u003cbr\u003eof an overdriven 1968 “Plexi”. The ANIMAL OD has the grunt and midrange bark of\u003cbr\u003ethe old classic rock n roll amps but cleans up extremely well by backing off of your\u003cbr\u003eguitar’s volume control. The controls are very simple and no matter where they are\u003cbr\u003eset they give you a great overdrive sound.\u003c\/p\u003e","brand":"J.Rockett Audio","offers":[{"title":"Default Title","offer_id":12732202287127,"sku":"JRAD-ANIMAL-OD-TOUR","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0987\/8460\/products\/674e1c56dd64b6d0ee2c3fd6437f5eb4.jpg?v=1538181685"}],"url":"https:\/\/flipside-music.com\/en-ca\/collections\/black-friday-2020.oembed?page=8","provider":"Flipside Music","version":"1.0","type":"link"}